A wonderful display. If a man could be as truly enraptured as the
woodcock seems to be, he would know the joys of the blest. I wonder
how many thousand Aprils this cumbrous-looking, gross-looking,
unpoetical-looking bird has been disporting himself thus at heaven’s
gate. There must be a real soul in a creature, no matter what his
appearance, who is capable of such transports and ravishments, such
marvelous upliftings, such mad reaches after the infinite.
I listen and wonder, and then come away, meditating on what I have seen
and heard. The last of the small birds have fallen silent. Only a few
hylas are peeping as I pass a cranberry meadow. Then, halfway home, as
the road traverses a piece of woods, with a brook singing on one side,
and the moon peeping through fleecy clouds, suddenly I halt. That was
a screech owl’s voice, was it not? Yes; faint, tremulous, sweet, a
mere breath, the falling, quavering strain again reaches my ear. The
bird is somewhere beyond the brook. I wonder how far. Well up on the
wooded hillside, I think it likely. I put my hands behind my ears and
hearken. Again and again I hear it; true music! music and poetry in
one; the voice of the night. But look! What is that dark object just
before me on a low branch not two rods away? There is no light with
which to be sure of its outlines; a tuft of dead leaves, perhaps; but
it is of a screech owl’s size. Another phrase. Yes, it comes from that
spot, or I am tricked. And now the bird moves, and the next instant
takes wing. But he goes only a few feet, and alights even nearer to me
than before. How soft his voice is! Almost as soft as his flight. How
different from the woodcock’s panting, breathless whistle! Though I can
see him, and could almost touch him, the tremulous measure might still
be coming from the depths of the wood. I listen with all my ears, till
an approaching carriage turns a corner in the road below. I hope the
owl will not mind; but as the wheels come near he leaves his perch,
flies directly before my face (with no more noise than if a feather
were falling through the air), and disappears in the forest opposite.
Two good birds I have listened to. The evening has been kind to me. Two
birds? nay, two poets: a poet in a frenzy, and a poet dreaming.
UNDER APRIL CLOUDS
“Good-morning.”
“Ah, good-morning. How are you?”
I was on what I suppose is habitually the most crowded sidewalk in
Boston, where men in haste are always to be seen betaking themselves to
the street as the only means of making headway. A hand was laid on my
shoulder. A business man, one of the busiest, I should think he must
be, had come up behind me. He was looking happy. Yes, he said, he was
very well. “And yesterday,” he continued, “I had a great pleasure. I
saw my first fox-colored sparrow, and heard him sing.”
Public-domain text, read in full here on John Shaqi.
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