In ruin No. 4 there is a similar series of bars, but in this instance they occur on the cliff wall back of the rooms. They are shown in figure 73. There are four bars or upright bands, done in white paint, and surmounted by four round dots or spots. To the left of the four bars, level with their tops, there is a small triangle, also in white. The bars are 30 inches long and 4 inches wide. The upper dots are nearly 2 feet above, the tops of the bars. It is evident that this figure was designed to be seen from a distance. Figure 74 shows some markings on the cliff wall back of ruin No. 37. [Illustration: Fig. 76--Design employed in decorative band.] Examples almost identical with those shown here are abundant in the Mancos ruins. It was probable they are of ceremonial rather than of decorative origin, and in this connection it may be stated that Mr Frank H. Cushing has observed in Zuni the ceremony of marking the sides of a kiva hatchway with white bars closely resembling those shown in figure 73. This ceremony occurs once in four years, and the purpose of the marks is said to be to indicate the cardinal directions. In the ceremonials of the Pueblo Indians it is necessary to know where the cardinal points are; a prayer, for instance, is often addressed to the north, west, south, and east, and when such ceremonials were performed in a circular chamber some means by which the direction could be determined was essential. [Illustration: Fig. 77--Pictographs in Canyon de Chelly.] In the principal kiva in Mummy Cave ruin, however, there is a painted band on the front of the bench which appears to be really an attempt at decoration. Over the white there is a band 4 or 5 inches wide, consisting of a meander done in red. This is shown in figure 75, and in detail in figure 76. The design is similar to that used today. Its importance arises not so much from this as from the fact that it is difficult to regard this as other than ornamentation, and the Pueblo architect had not yet reached the stage of ornamented construction. The ruins in the Mancos canyon and the Mesa Verde country obviously represent a later stage in development than those in De Chelly, yet nowhere in that region do we find the counterpart of the decoration in Mummy Cave kiva. Bands with points occur, sometimes on walls of rectangular rooms. One such is illustrated by Chapin,[21] who also shows a variety of the meander, treated, however, as a pictograph and without reference to its decorative value. Similar bands are shown also by Nordenskioeld,[22] but always with three points, instead of four, which were done in red. Figure 77 shows some pictographs somewhat resembling the Mancos examples. These occur at the point marked 1 on the map, in connection with a small storage cist already described. [Footnote 21: Land of the Cliff Dwellers, illustration, pp. 143, 152.] [Footnote 22: Cliff Dwellers of the Mesa Verde, figs. 6, 7, 76, 77, and 78.]