The cloven foot : $b A novelBraddon, M. E. (Mary Elizabeth)
General
The cloven foot : $b A novel
Braddon, M. E. (Mary Elizabeth)
Detective and mystery stories; Domestic fiction; Inheritance and succession -- Fiction; Psychological fiction
Edward Clare was mystified. The face which he had seen turned towards
the clerk had presented a wondrous likeness of John Treverton. If this
man who called himself Chicot had been John Treverton’s twin brother,
the two could not have been more alike. Edward was so impressed with
this idea that, instead of waiting to see his editor, he hurried out
into the street, bent upon following Mr. Chicot the artist. The office
was in one of the narrow streets northward of the Strand. If Chicot
had turned to the left, he must be by this time following the strong
current of the Strand, which flows westward at this hour, with its
tide of human life, as regularly as the river flows to the sea. If
he had turned to the right, he was most likely lost in the labyrinth
between Drury Lane and Holborn. In either case--three minutes having
been wasted in surprise and interrogation--there seemed little chance
of catching him.
Edward turned to the right, and went towards Holborn. Accident favoured
him. At the corner of Long Acre he saw Chicot, the artist, button-holed
by an older man, of somewhat raffish aspect. That Chicot was anxious
to get away from the button-holer was obvious, and before Edward could
reach the corner he had done so, and was off at a rapid pace westward.
There would be no chance of overtaking him, except by running; and to
run in Long Acre would be to make oneself unpleasantly conspicuous.
There was no empty hansom within sight. Edward looked round
despairingly. There stood the raffish man watching him, and looking as
if he knew exactly what Mr. Clare wanted.
Edward crossed the street, looked at the raffish man, and lingered,
half inclined to speak. The raffish man anticipated his desire.
‘I think you wanted my friend Chicot,’ he said, in a most insinuating
tone.
He had the accent of a gentleman, and in some wise the look of a
gentleman, though his degradation from that high estate was patent to
every eye. His tall hat, sponged and coaxed to a factitious polish,
was of an exploded shape; his coat was the coat of to-day; his stock
was twenty years old in style, and so frayed and greasy that it might
have been worn ever since it first came into fashion. The hawk’s eye,
the iron lines about the mouth and chin, were warnings to the man’s
fellow-creatures. Here was a man capable of anything--a being so
obviously at war with society as to be bound by no law, daunted by no
penalty.
Edward Clare dimly divined that the creature belonged to the dangerous
classes, but in his excellent opinion of his own cleverness deemed
himself strong enough to cope with half a dozen such seedy sinners.
‘Well, yes, I did rather want to speak to him--er--about a literary
matter. Does he live far from here?’
‘Five minutes’ walk. Cibber Street, Leicester Square. I’ll take you
there if you like. I live in the same house.’
Public-domain text, read in full here on John Shaqi.
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