The cloven foot : $b A novelBraddon, M. E. (Mary Elizabeth)
General
The cloven foot : $b A novel
Braddon, M. E. (Mary Elizabeth)
Detective and mystery stories; Domestic fiction; Inheritance and succession -- Fiction; Psychological fiction
‘Ah, I thought as much. Have some brandy.’
Though La Chicot made light of Mr. Lemuel’s offering in her talk with
Desrolles, she was not the less impressed by it. After she had come
from the theatre that night she sat on the floor in her dingy bedroom
with a looking-glass in her hand, gloating over her reflection with
that string of jewels round her neck, turning her swan-like throat
every way to catch the rays of the candle, thinking how glorious she
would look with those shining stars upon her ivory neck, thinking what
a new and delightful life Joseph Lemuel’s wealth could give her; a life
of riot and dissipation, fine clothes, epicurean dinners, late hours,
and perfect idleness. She even thought of all the famous restaurants
in Paris where she would like to dine; fairy palaces on the Boulevard,
all lights, and gilding, and crimson velvet, which she knew only from
the outside; houses where vice was more at home than virtue, and where
a single cutlet in its paper frill cost more than a poor man’s family
dinner. She looked round the shabby room, with its blackened ceiling
and discoloured paper, on which the damp had made ugly blotches; the
tawdry curtains, the rickety deal dressing-table disguised in dirty
muslin and ragged Nottingham lace--and the threadbare carpet. How
miserable it all was! She and her husband had once gone with the crowd
to see the house of a Parisian courtesan, who had died in the zenith
of her days. She remembered with what almost reverential feeling the
mob had gazed at the delicate satin draperies of boudoir and salon, the
porcelain, the tapestries, the antique lace, the tiny cabinet pictures
which shone like jewels on the satin walls. Vice so exalted was almost
virtue.
In the dining-room, paramount over all other objects, was enshrined the
portrait of the departed goddess, a medallion in a frame of velvet and
gold. La Chicot well remembered wondering to see so little beauty in
that celebrated face--a small oval face, grey eyes, a nondescript nose,
a wide mouth. Intelligence and a winning smile were the only charms of
that renowned beauty. Cosmetiques and Wörth had done all the rest. But
then the dead and gone courtesan had been one of the cleverest women in
France. La Chicot made no allowance for that.
‘I am ten times handsomer,’ she told herself, ‘and yet I shall never
keep my own carriage.’
She had often brooded over the difference between her fate and that of
the woman whose house, and horses, and carriages, and lap dogs, and
jewels she had seen, the sale of which had made a nine days’ wonder
in Paris. She thought of that dead woman to-night as she sat with
the mirror in her hand admiring the diamonds and her beauty, while
Jack Chicot was doing his best to forget her in his Bohemian club
near the Strand. She remembered all the stories she had heard of that
extinguished luminary--her arrogance, her extravagance, the abject
slavery of her adorers, her triumphal progress through life, scornful
and admired.
Public-domain text, read in full here on John Shaqi.
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