‘I think it highly probable that he did, discreetly hidden under some outer shell of intense respectability.’ ‘I suppose you think it was the husband?’ put in Sir Joshua Parker, from his place at Laura’s right hand. ‘I don’t see any ground for doubt,’ replied Edward. ‘If the husband was not guilty, why should he disappear the moment the crime was discovered?’ ‘He may have had reasons of his own for wishing to get away, reasons unconnected with the mode and manner of his wife’s death,’ hazarded John Treverton. ‘What reasons could he have had strong enough to induce him to run the risk of being thought a murderer?’ asked Edward, incredulously. ‘No innocent man would place himself in such a position as that.’ ‘Not knowingly,’ said John, ‘but this man may have acted on impulse, without reckoning the consequences of his act.’ ‘To admit that would be to consider him a fool,’ retorted Edward; ‘and from all I have heard of the fellow, he belonged to the other half of humanity.’ ‘You mean that he was a knave?’ ‘I mean that he was a fellow who knew the ropes. He was not the sort of man to find his wife’s throat cut, and to make a bolt, leaving every newspaper in London free to brand him as a coward and a murderer,’ said Edward, decisively. John Treverton pursued the subject no further. Lady Parker, who sat at his left, had just begun to question him about a late importation of Jersey cows, in which she was deeply interested; whereupon he favoured her with a detailed account of their graces and merits. Laura happened to look up at Edward Clare as he finished speaking, and the expression of his countenance startled and shocked her. Never had she seen so keen a look of malice in any living face. Only in the face of Judas in an old Italian picture had she ever beheld such craft and such venom. And that malignant look--brief as a flash of lightning--glanced at her unconscious husband, whose face was gravely courteous as he bent his handsome head a little to tell Lady Parker about the Jersey cows. ‘Good heavens!’ thought Laura, with a sense of absolute fear. ‘Is it possible that this young man can be so bitter against my husband because I loved him best? What could the love be like that could engender such malice?’ Later in the evening when Edward came and hung over the ottoman where Laura was sitting, she turned from him with an involuntary movement of disgust. ‘Have I offended you?’ he asked, in a low voice. ‘Yes. I saw a look in your face at dinner that told me you dislike my husband.’ ‘Do you expect me to love him--very dearly--at first? You must at least give me time to get accustomed to the idea that he is your husband. Time cures most wounds. Give me time, Laura, and do not judge me too hardly. I possess the poet’s curse, a mind more sensitive than the minds of ordinary men--dowered with the love of love, the hate of hate, the scorn of scorn.’