The cloven foot : $b A novelBraddon, M. E. (Mary Elizabeth)
General
The cloven foot : $b A novel
Braddon, M. E. (Mary Elizabeth)
Detective and mystery stories; Domestic fiction; Inheritance and succession -- Fiction; Psychological fiction
‘It is the only accomplishment of my husband’s that I cannot praise,’
said Laura, with gentlest reproof, ‘for it cannot be exercised without
unkindness to the subject of the caricature.’
‘“He that is robbed not wanting what is stolen, let him not know it,
and he is not robbed,”’ quoted Celia, who had resumed her lowly place
at Laura’s feet. ‘Shakespeare’s ineffable wisdom found that out; and
may not the same thing be said of caricature? If Lady Barker never
knows what a lifelike portrait you have drawn of her, with half-a-dozen
scratches of a Hindoo pen, the faithfulness of the picture can’t hurt
her.’
‘But isn’t it the usual course to show that kind of thing to all the
lady’s particular friends, till the knowledge of it percolates to the
lady herself?’ inquired Edward with his lazy sneer.
‘I had rather cut off my right hand than make a harmless good-natured
old lady unhappy,’ said Laura, warmly.
‘Turn up your cuff, Mr. Treverton, and prepare your wrist for the
chopper,’ cried Celia. ‘But really now, if Lady Barker’s figure is
like a dilapidated mould of jelly, she ought to know it. Did not one
of those seven old plagues of Greece, whose names nobody ever could
remember, resolve all the wisdom of his life into that one precept,
“Know thyself”?’
Celia rattled on gaily; Laura and Edward both joined in her careless
talk; but John Treverton sat grave and silent, looking at the fire.
CHAPTER XXIII.
‘IN THE MEANWHILE THE SKIES ’GAN RUMBLE SORE.’
After that portrait of Lady Barker, John Treverton drew no more
caricatures. It seemed as if he had laid aside the pen of the
caricaturist in deference to his wife’s dislike of that somewhat
ill-natured art. But he had not abandoned the higher walks of art,
for he had made himself a studio out of one of the spare bedrooms
that looked northward, and was engaged on a portrait of his wife, an
altogether fanciful and ideal picture, which he worked at for an hour
or two daily with infinite delight. He had many pleasant labours and
occupations at this period of his life. The farm, the hunting field,
the business details of a large property, which he wished to conduct
in an orderly manner, not hiding his talents in a napkin, but improving
the estate, which Jasper Treverton had considerably increased during
his long life, but upon which the old man had been somewhat loth
to spend money. It was altogether a full and happy life which John
Treverton led with his wife in this first year of their union, and it
seemed to both that nothing was wanting to perfect their happiness. And
yet, by-and-by, when there came the prospect of a child being born in
the grave old house which had so long been undisturbed by the patter of
childish feet, the fulfilment of this sweet hope seemed the one thing
needed to fill their cup of joy.
Public-domain text, read in full here on John Shaqi.
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