The cloven foot : $b A novelBraddon, M. E. (Mary Elizabeth)
General
The cloven foot : $b A novel
Braddon, M. E. (Mary Elizabeth)
Detective and mystery stories; Domestic fiction; Inheritance and succession -- Fiction; Psychological fiction
‘But your dances? How do you manage for those?’
‘Easily. I never dance.’
‘What, are you never tired of playing the wallflower? Do not German
waltzes inspire you?’
‘I never go in the way of being inspired. I have never been to a party
since I came to London.’
‘Good gracious! Why don’t you go to parties?’
‘I could give you fifty reasons, but perhaps one will do as well.
Nobody ever asks me.’
‘Poor fellow!’ cried Celia, with intense compassion. Nothing he had
told her of his early struggles had touched her like this. Here was
the acme of desolation. ‘What, you live in London all the season, and
nobody asks you to dances and things?’
‘In that part of London I inhabit there is no season. Life there runs
on the same monotonous wheels all the year round--poverty all the
year round--hard work all the year round--debt, and difficulty, and
sickness, and sorrow all the year round.’
‘You are making my heart bleed,’ said Celia; ‘at least I suppose that’s
anatomically impossible, and I ought not to mention such an absurdity
to a doctor; but you are making me feel quite too unhappy.’
‘I should be sorry to do that,’ returned Gerard gently, ‘and it would
be a very bad return for your kindness to me. Do not imagine that the
kind of life I lead is a silent martyrdom. I am happy in my profession.
I am getting on quite as fast as I ever expected to get on. I
believe--yes, I do honestly believe, that I shall make name and fortune
sooner or later, if I live long enough. It is only when I reflect how
long it must be before I can conquer a position good enough for a wife
to share, that I am inclined to feel impatient.’
Celia became suddenly interested in the shading of a vine leaf, and
bent her face so low over her work, that a flood of crimson rushed into
her cheeks, and she felt disinclined to look up again.
She gave a little, nervous cough presently, and, as Gerard was pacing
the room in silence, felt herself constrained to say something.
‘I dare say the young lady to whom you are engaged will not mind how
long she has to wait,’ Celia suggested; ‘or, if she is very brave, she
will not shrink from sharing your early struggles.’
‘There is no such young lady in question,’ answered Gerard. ‘I am not
engaged.’
‘I beg your pardon. Ah, I forgot you had said you didn’t go to parties.’
‘Do you think a man should choose a wife at a dance?’
‘I don’t know. Such things do happen at dances, don’t they?’
‘Possibly. For my own part, I would rather see my future wife at home,
by her father’s fireside.’
‘Darning stockings,’ suggested Celia. ‘I believe that is the real
test of feminine virtue. A woman may be allowed to play and sing; she
may even speak a couple of modern languages; but her chief merit is
supposed to lie in her ability to darn stockings and make a pudding.
Now, Mr. Gerard, is not that the old-established idea of perfection in
womankind?’
Public-domain text, read in full here on John Shaqi.
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