The cloven foot : $b A novelBraddon, M. E. (Mary Elizabeth)
General
The cloven foot : $b A novel
Braddon, M. E. (Mary Elizabeth)
Detective and mystery stories; Domestic fiction; Inheritance and succession -- Fiction; Psychological fiction
‘Lord love you, Mrs. Bitters, it’s a compound fracture, and the
swelling ain’t begun to go down. They’ve got a perfessional nurse from
one of the hospitals, and she’s never left off applying cooling lotion,
night or day, to keep down the inflammation. The doctor hasn’t left the
house since it happened.’
‘Is it Mr. Mivart?’
‘Lor, no; it’s quite a stranger; a young man that’s just been walking
the orspital, but they say he’s very clever. He was at the Prince
Frederick when it happened, and see it all; and helped to bring her
home, and if she was a duchess he couldn’t be more careful over her.’
‘Where’s the husband?’ asked Mrs. Bitters.
‘Away in the country, no one knows where, for she hasn’t sense to tell
’em, pore lamb. But from what Mrs. Evitt tells me, they was never the
happiest of couples.’
‘Ah!’ sighed Mrs. Bitters, with an air of widest worldly experience,
‘dancers and such like didn’t ought to marry. What do they want with
’usbands, courted and run after as they are? Out every night too, like
Tom cats. ’Ow can they make a ’ome ’appy?’
‘I can’t say as I ever thought Mr. Chicot ’ad a ’appy look,’ assented
the shoemaker’s wife. ‘He’s got a way of walking with his eyes on the
ground and his hands in his pockets, as if he didn’t take no interest
in life.’
Thus, and in various other manners, was the evil fate of La Chicot
discussed in Cibber Street and the surrounding neighbourhood. Everybody
was interested in her welfare. If she had been some patient domestic
drudge, a devoted wife and mother, the interest would have been mild in
comparison, the whole thing tame and commonplace. But La Chicot--whose
name was on the walls in capitals three feet high, whose bold, bright
face smiled on the foot passenger at every turn in the road--La Chicot
was a personage, and whether she was to draw the lot of life or death
from fate’s mysterious urn was a public question.
It had been as the scene-shifter had shrewdly prophesied. She had
been drunk, and the stage-carpenter had been drunk, and the result
had been calamity. There had been a perennial supply of champagne
in La Chicot’s dressing-room during the last week, thanks to the
liberality of an anonymous admirer, who had sent a three-dozen case of
Rœderer, pints--fascinating little gold-tipped bottles that looked as
innocent as flowers or butterflies. La Chicot had an idea that a pint
of champagne could hurt nobody. Of a quart she opined, as the famous
glutton did of a goose, that it was too much for one and not enough for
two.
Public-domain text, read in full here on John Shaqi.
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