The cloven foot : $b A novelBraddon, M. E. (Mary Elizabeth)
General
The cloven foot : $b A novel
Braddon, M. E. (Mary Elizabeth)
Detective and mystery stories; Domestic fiction; Inheritance and succession -- Fiction; Psychological fiction
She found the drawing-room empty. She had left John Treverton there
with Mr. Sampson half an hour ago, when she went upstairs to assist in
packing Celia in the waterproof, and now both were gone. The spacious
room, splendid with an old-fashioned splendour, was lighted only by the
fading wood fire. The white panelled walls and antique mirrors had a
ghostly look; the shadowy corners were too awful to contemplate.
‘Perhaps I shall find him in the study,’ Laura said to herself. ‘It is
kettledrum time.’
She laughed softly to herself. How new, how strange it would be to sit
down _tête à tête_ at the oval tea-table, man and wife, settled
in domesticity for life, no further doubt of each other or of their
fate possible to either--the bargain made, the bond sealed, the pledge
given, that could be broken only by death.
She went slowly through the silence of the house to the room at the
end of the corridor, the little book-room opening into the flower
garden. She opened the door softly, meaning to steal in and surprise
her husband in some pleasant reverie, but on the threshold she stopped
appalled, struck dumb.
He was sitting in an attitude of deepest dejection, his forehead
resting on his folded arms, his face hidden. Sobs, such as but seldom
come from the agonized heart of a strong man, were tearing the heart of
John Treverton. He had given himself up, body and soul, to the passion
of an unconquerable despair.
Laura ran to him, bent over him, drew her arm gently round his neck.
‘Dearest, what is amiss?’ she asked, tenderly, with trembling lips.
‘Such grief, and on such a day as this! Something dreadful must have
happened. Oh, tell me, love, tell me!’
‘I can tell you nothing,’ he answered, hoarsely, putting her arm away
as he spoke. ‘Leave me, Laura. If you pity me, leave me to fight my
battle alone. It is the only kindness you can show me.’
‘Leave you, and in such grief as this! No, John, I have a right to
share your sorrow. I will not go till you have confided in me. Trust
me, love, trust me. Whom can you trust if not your wife?’
‘You don’t know,’ he gasped, almost angrily. ‘There are griefs you
cannot share--a depth of torture you can never fathom. God forbid that
your pure young soul should ever descend into that black gulf. Laura,
if you love, if you pity me--and indeed, dear love, I need all your
pity--leave me now for a little while; leave me to finish my struggle
alone. It is a struggle, Laura, the fiercest this weak soul of mine has
ever passed through. Come back in an hour, dear, and then--you will
know--I can explain some part, at least, of this mystery. In an hour,
in an hour,’ he repeated, with increasing agitation, pointing with a
wavering hand to the door.
Laura stood for a moment or so, irresolute, deeply moved, her womanly
dignity, her pride as a wife, hurt to the quick. Then, with a smile,
half sad, half bitter, she softly quoted the gentle speech of
Shakespeare’s gentlest heroine:--
Public-domain text, read in full here on John Shaqi.
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