The Club of Queer TradesChesterton, G. K. (Gilbert Keith)
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The Club of Queer Trades
Chesterton, G. K. (Gilbert Keith)
Detective and mystery stories, English; Private investigators -- England -- London -- Fiction
Then occurred something that even those already used to that wild
morning had not anticipated or dreamed. The professor, on finding Basil
in front of him, stared with a blank benignity for a few seconds, and
then drew up his left leg and hung it bent in the attitude that his
sister had described as being the first of all his antics. And the
moment he had done it Basil Grant lifted his own leg and held it out
rigid before him, confronting Chadd with the flat sole of his boot. The
professor dropped his bent leg, and swinging his weight on to it kicked
out the other behind, like a man swimming. Basil crossed his feet like
a saltire cross, and then flung them apart again, giving a leap into
the air. Then before any of the spectators could say a word or even
entertain a thought about the matter, both of them were dancing a sort
of jig or hornpipe opposite each other; and the sun shone down on two
madmen instead of one.
They were so stricken with the deafness and blindness of monomania that
they did not see the eldest Miss Chadd come out feverishly into the
garden with gestures of entreaty, a gentleman following her. Professor
Chadd was in the wildest posture of a pas-de-quatre, Basil Grant seemed
about to turn a cart-wheel, when they were frozen in their follies by
the steely voice of Adelaide Chadd saying, “Mr Bingham of the British
Museum.”
Mr Bingham was a slim, well-clad gentleman with a pointed and slightly
effeminate grey beard, unimpeachable gloves, and formal but agreeable
manners. He was the type of the over-civilized, as Professor Chadd was
of the uncivilized pedant. His formality and agreeableness did him some
credit under the circumstances. He had a vast experience of books and a
considerable experience of the more dilettante fashionable salons. But
neither branch of knowledge had accustomed him to the spectacle of two
grey-haired middle-class gentlemen in modern costume throwing themselves
about like acrobats as a substitute for an after-dinner nap.
The professor continued his antics with perfect placidity, but Grant
stopped abruptly. The doctor had reappeared on the scene, and his shiny
black eyes, under his shiny black hat, moved restlessly from one of them
to the other.
“Dr Colman,” said Basil, turning to him, “will you entertain Professor
Chadd again for a little while? I am sure that he needs you. Mr Bingham,
might I have the pleasure of a few moments' private conversation? My
name is Grant.”
Mr Bingham, of the British Museum, bowed in a manner that was respectful
but a trifle bewildered.
“Miss Chadd will excuse me,” continued Basil easily, “if I know my way
about the house.” And he led the dazed librarian rapidly through the
back door into the parlour.
“Mr Bingham,” said Basil, setting a chair for him, “I imagine that Miss
Chadd has told you of this distressing occurrence.”
Public-domain text, read in full here on John Shaqi.
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