“Ursula, it isn’t easy--you’d think that a man with my enormous nerve
could take the hand of a woman--that he loved--without his heart going
like an æroplane propeller, wouldn’t you?”
She did not answer.
“Wouldn’t you?” he repeated desperately. He could think of nothing else
to say.
“I suppose so,” she said, not meeting his eyes. “And you’d think that
an actress who had been made love to eight days a week, counting
matinees, for years on end, could carry through a scene like this
without having an insane desire to burst into tears. If you kiss me,
Turner will see you.”
Tab could never remember that moment very clearly. He had a ridiculous
recollection that her nose was cold against his cheek, and that in some
miraculous fashion a whisp of hair came between their lips.
“Lunch is served, madam,” said Turner awfully.
He was an elderly, grim-looking man, and apparently he did not trust
himself to look at Tab.
“Very well, Turner,” said Ursula with extraordinary courage and
coolness. And when he had gone: “Tab, you have realised poor Turner’s
worst fears; he told me that I was the first actress he had ever taken
service with, and I gather he looks upon the experiment as a dangerous
one.”
Tab was a little breathless, but he had his line to say.
“The only thing that can save your character, Ursula, is an immediate
marriage,” he said boldly, and she laughed and pinched his ear.
The confusion of Tab’s recollections of that day, extended to the
golden hours which followed. He came back to town in a desperate
hurry--he was aching to write to her! He wrote and he wrote, and an
expectant night editor peeped in at him and crept softly away to warn
the printer that a big story of the murder was coming along (the night
editor had distinctly counted a dozen folios to the left of Tab’s
elbow) and it was only at almost the eleventh hour that he found he was
mistaken.
“I thought you were doing the Mayfield murder. Where’s your story?”
asked the indignant man.
“It is coming along,” said Tab guiltily. He stuffed the unfinished
letter into his inside pocket, set his teeth and tried to fix his
mind upon the crime. He would stop at the most incongruous moments to
conjure up a rosy vision of that day, only to turn with a groan to....
“... the position of the body removes any doubt there may have been as
to the manner in which the man met his death. The features of the two
crimes are almost identical....”
So he wrote at feverish haste for half-an-hour, and the night editor,
cutting out the superfluous “darlings” that appeared mysteriously in
the copy, formed a pretty clear idea as to what Tab had been writing
when he was interrupted.
Tab posted the letter, went home, and began another, this being the way
of youth.
It was all a dream, he told himself when the morning came. It could not
be true. And yet there was a fat envelope containing the letter he had
written overnight, awaiting the post.
Tab opened the letter and added seven pages of postscript.
Public-domain text, read in full here on John Shaqi.
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