Tab was dead now, he thought complacently, and his confession was
ashes. He regretted the impulse which had made him write. He had had
no intention of doing that when he brought Tab to Mayfield, and he was
rather puzzled at his own stupidity. It was a mad thing to do. Mad? He
frowned. He was not mad. It was very sane to desire a woman of Ursula
Ardfern’s grace and beauty. It was sane enough to want money and to
go to extremes to obtain what he wanted. Throughout all the ages men
had killed others that their position might be enhanced. They were not
madmen. And he was not mad. He had a definite plan, and madmen do not
have definite plans.
Ursula would this night consent to marry him, and would be glad, if
she refused, to consider her decision. He would be her accepted lover
before he left the house, and the thought took his breath away.
“Am I mad?” he asked aloud, as he parked his car in the side turning
where Carver had almost found it once.
Madmen did not take such elaborate precautions. Madmen did not remember
that by some mischance her servant might telephone for the police, nor
carry in their pockets a weighted cord to throw over the telephone wire
and bring it down. They did not even buy the cord of such and such a
length, so much to bind Tab Holland, so much to break the wire and buy
just sufficient for the purpose.
“I am not mad,” said Rex Lander, as he went in through the gate.
The house was in darkness; no lights glowed from the upper window where
she was sleeping.
He had made a very careful reconnaissance of the house, and knew its
vulnerable points. He opened the casement window of the drawing-room,
and had stepped softly inside the room before, in ordinary
circumstances, a servant could have answered his ring at the door.
He was in her room! Her sitting-room! It held the very charm of her
presence, and he would have been content to sit here, absorbing the
atmosphere which she lent to everything she touched, dreaming dreams
as he had dreamt so often in the night watches at Doughty Street, at
his office, when he should have been working, in the solitary walk
home from the theatre, after he had been listening entranced to her
wonderful voice.
He took from his pocket a large electric torch and flashed it round. On
the little cottage piano was a bowl of roses; reverently he drew one
out, nipped off its stalk, and threaded it tenderly in his buttonhole.
Her hand had placed it there. She had taken it from the garden, kissed
it perhaps--he bent his head, and his lips touched the velvety petals.
The door was not locked. He was in the hall, the wide-flagged hall. In
the corner was a grandfather’s clock that ticked sedately.
Public-domain text, read in full here on John Shaqi.
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