He half lifted, half dragged her to her feet and led her from the room.
They descended to the hall together and the girl spoke no word. Perhaps
she hoped that she might wrench herself free and make her escape into
the street, but in this she was disappointed. The grip about her arm was
a grip of steel and she knew safety did not lie in that direction. She
pulled back at the head of the stairs that led down to the kitchen.
“Where are you taking me?” she asked.
“I am going to put you into safe custody,” he said. “On the whole I
think it is best that the police take this matter in hand and I shall
lock you into my wine cellar and go out in search of a policeman.”
The big wooden door opened, revealing a second door and this Kara
unbolted. She noticed that both doors were sheeted with steel, the outer
on the inside, and the inner door on the outside. She had no time to
make any further observations for Kara thrust her into the darkness. He
switched on a light.
“I will not deny you that,” he said, pushing her back as she made a
frantic attempt to escape. He swung the outer door to as she raised her
voice in a piercing scream, and clapping his hand over her mouth held
her tightly for a moment.
“I have warned you,” he hissed.
She saw his face distorted with rage. She saw Kara transfigured with
devilish anger, saw that handsome, almost godlike countenance thrust
into hers, flushed and seamed with malignity and a hatefulness beyond
understanding and then her senses left her and she sank limp and
swooning into his arms.
When she recovered consciousness she found herself lying on a plain
stretcher bed. She sat up suddenly. Kara had gone and the door was
closed. The cellar was dry and clean and its walls were enamelled white.
Light was supplied by two electric lamps in the ceiling. There was a
table and a chair and a small washstand, and air was evidently supplied
through unseen ventilators. It was indeed a prison and no less, and in
her first moments of panic she found herself wondering whether Kara had
used this underground dungeon of his before for a similar purpose.
She examined the room carefully. At the farthermost end was another
door and this she pushed gently at first and then vigorously without
producing the slightest impression. She still had her bag, a small
affair of black moire, which hung from her belt, in which was nothing
more formidable than a penknife, a small bottle of smelling salts and
a pair of scissors. The latter she had used for cutting out those
paragraphs from the daily newspapers which referred to Kara's movements.
They would make a formidable weapon, and wrapping her handkerchief round
the handle to give it a better grip she placed it on the table within
reach. She was dimly conscious all the time that she had heard something
about this wine cellar--something which, if she could recollect it,
would be of service to her.
Public-domain text, read in full here on John Shaqi.
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