City and town life -- Fiction; Southern States -- Fiction; Women -- Suffrage -- United States -- Fiction
"You have listened to the brave speech of a brave gentleman, my
friends," she began, "and I would not if I could subtract one lovely
word from that lovely tribute to the men and women and order to which he
belongs. What he has said is the truth, raised to the eloquence of a
martial soul. Until the present time we women, as he told you, have
figured chiefly in religion, poetry, and romance. We have been that
part of the imaginations of men which creates creeds, poetry, windmills,
and fiction. We have no reputation for any other form of existence. We
have been purely imaginary beings living in physical bodies for just
men. Our character is a legend invented by men; it could never fit a
real human being. Yet we have accepted it, and tried to believe in it.
You have indeed kept us, but we have not lived at all except for you. We
are not the authors of a single standard governing our lives. Do you
understand what that means, you men who live only according to your own
will and purpose?"
They listened to her in silence. They studied her in amazement. But we
do not applaud an accusing angel, and they did not applaud Selah, who
stood so elegantly fair and tall, a slim figure with earnest dark eyes
bent in passionate appeal upon their faces.
"It was men," she went on, "who divided women into three great
classes--virgins, wives, and prostitutes, a purely physical
classification. You commanded chastity. We have never had the right to
choose it. Women have never been real parents. They are only the mothers
of the children of men. The small, almost negligible influence they
have over their sons proves that. After the years of childhood are
passed sons sustain only a sentimental relation to their mothers. They
are inspired by them merely as religion or poetry inspires. Your
institutions, social, moral, economic, and political, do not represent
us nor our needs. But they represent you men.
Public-domain text, read in full here on John Shaqi.
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