There was no real offence between her and Ludlow, or any but such as
could wear itself away with time and the custom of friendly meeting. He
had the magnanimity to ignore it when he first saw her after that
Thursday of Mrs. Westley's, and she had too keen a sense of having been
a fool not to wish to act more wisely as soon as she could forget.
There came so long a lapse between the letters of Mr. Dickerson that he
ceased, at least perpetually, to haunt her thoughts. She had moments
when it seemed as if she might justly consent to be happy again, or at
least allow herself to enjoy the passing pleasure of the time without
blame. She even suffered herself to fancy taking up the picture of
Charmian, and carrying it farther under Ludlow's criticism. She was
very ambitious to try her fate with the Academy, and when he offered so
generously to help her again, as if she had not refused him once so
rudely, she could not deny him. She found herself once more in
Charmian's studio, and it all began to go on the same as if it had
never stopped. It seemed like a dream, sometimes, when she thought
about it, and it did not seem like a very wise dream. Cornelia now
wished, above all things, to have a little bit of sense, as she phrased
it in her thoughts; and she was aware that the present position of
affairs might look rather crazy to some people. The best excuse for it
was that it would have looked crazier yet if she had refused such an
opportunity simply because of the circumstances. She began to be a
little vague about the circumstances, and whether they were queer
because she had fancied a likeness of herself in Mr. Ludlow's picture
of Charmian, or because she had afterwards made a fool of herself so
irreparably as to be unworthy Mr. Ludlow's kindness.
If it was merely kindness, and she was the object of charity, it was
all right; she could accept it on those terms. She even tempted him to
patronize her, but when he ventured upon something elderly and paternal
in his monitions, she resented it so fiercely that she was astonished
and ashamed. There was an inconsistency in it all that was perplexing,
but not so perplexing as to spoil the pleasure of it.
There were not sittings every day, now; Ludlow came once or twice a
week, and criticised her work; sometimes he struck off a sketch
himself, in illustration of a point, and these sketches were now so
unlike Cornelia, and so wholly like Charmian, that when he left them
for her guidance, she studied them with a remote ache in her heart.
"Never mind," Charmian consoled her once, "he just does it on purpose."
"Does what?" Cornelia demanded awfully.
"Oh, nothing!"
One of the sketches he fancied so much that he began to carry it
forward. He worked at it whenever he came, and under his hand it grew
an idealized Charmian, in which her fantastic quality expressed itself
as high imagination, and her formless generosity as a wise and noble
magnanimity.
Public-domain text, read in full here on John Shaqi.
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