At the Synthesis she was ashamed to let Charmian think that her absent
and tremulous mood had something to do with Ludlow; but she was so much
more ashamed of the shabby truth that she would have been willing to
accept the romance herself. This was very dishonest; it was very wicked
and foolish; Cornelia saw herself becoming a guilty accomplice in an
innocent illusion. She found strength to silence Charmian's surmise, if
not to undeceive her; she did her best; and as the days began to remove
her farther and farther from the moment of her actual encounter with
Dickerson, her reason came more and more into control of her
conscience. She tried not to be the fool of a useless remorse for
something she was at least not mainly to blame for. She had to make the
struggle alone; there was no one she could advise with; her heart shut
when she thought of telling any one her trouble; but in her perpetual
reveries she argued the case before Ludlow.
It seemed to her as if he had come to render her a final judgment when
his name was sent up to her room, that Saturday afternoon which ended
the longest week of her life. She went down, and found him alone in the
long parlor, and it was in keeping with her fantastic prepossession
that he should begin, "I wonder how I shall say what I've come for?" as
if he would fain have softened her sentence.
He kept her hand a moment longer than he need; but he was not one of
those disgusting people who hold your hand while they talk to you, and
whom Cornelia hated. She did not now resent it, though she was sensible
of having to take her hand from him.
"I don't know," she answered, with hysterical flippancy. "If I did I
would tell you."
He laughed, as if he liked her flippancy, and he said, "It's very
simple. In fact, that's what makes it so difficult."
"Then you might practice on something hard first," she suggested
wildly. "How would the weather do?"
"Yes, hasn't it been beautiful?" said Ludlow, with an involuntary lapse
into earnestness. "I was in the Park to-day for a little effect I
wanted to get, and it was heartbreaking to leave the woods. I was away
up in those forest depths that look wild in spite of the asphalt. If
you haven't been there, you must go some day while the autumn color
lasts. I saw a lot of your Synthesis ladies painting there. I didn't
know but I might see you."
This was all very matter of fact. Cornelia took herself in hand, and
shook herself out of her hallucination. "No, I don't suppose it would
be right for a person who was merely in the Preparatory to go sketching
in the Park. And Charmian and I were very good to-day, and kept working
away at our block hands as long as the light lasted."
"Ah, yes; Miss Maybough," said Ludlow; then he paused absently a
moment. "Do you think she is going to do much in art?"
"How should I know?" returned Cornelia. She thought it rather odd he
should recur to that after she had let him see she did not want to talk
about Charmian's art.
Public-domain text, read in full here on John Shaqi.
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