The Cockaynes in Paris; Or, 'Gone abroad'Jerrold, Blanchard
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The Cockaynes in Paris; Or, 'Gone abroad'
Jerrold, Blanchard
Paris (France) -- Description and travel
This kind of improving discourse employed us to my gate. Bertram dropped
me to return for "the painted lily" in an hour.
I am no squeamish man, or I should have passed a wretched life. The man
who is perpetually travelling must bear with him a pliant nature that
will adapt itself to any society, to various codes of morals, habits of
thought, rules of conduct, and varieties of temperament. I can make
myself at home in most places, but least in those regions which the
progress of civilization, or the progress of something, has established
in every capital of Europe, and to the description of which the younger
Dumas has devoted his genius. The atmosphere of the _demi-monde_ never
delighted me. I see why it charms; I guess why it has become the potent
rival of good society; the reason why men of genius, scholars,
statesmen, princes, and all the great of the earth take pleasure in it,
is not far to seek; silly women at home are to blame in great part. This
new state of the body social is very much to be regretted; but I am not
yet of those who think that good, decent society--the converse of
honourable men with honourable women--is come or coming to an end. I am
of the old-fashioned, who have always been better pleased and more
diverted with the society of ladies than with that of the free graces
who allow smoke and indulge in it, and who have wit but lack wisdom. I
was not in high glee at the prospect of accompanying Cosmo Bertram to
his free dancing party.
They are all very much alike. The fifteen sous basket, to use Dumas'
fine illustration, in Paris, is very like the Vienna, the Berlin, or the
London basket. The ladies are beautiful, exquisitely dressed, vivacious,
and, early in the evening, well-mannered. At the outset you might think
yourself at your embassy; at the close you catch yourself hoping you
will get away safely. Shrill voices pipe in corners of the room. "_On
sautera!_" People are jumping with a vengeance. The paint is disturbed
upon your partner's face. Pretty lips speak ugly words. _Honi soit qui
mal y pense;_ but then the gentleman is between two and three wines, and
the lady is rallying him because he has sense enough left to be a
little modest. A couple sprawl in a waltz. A gentleman roars a toast.
The hostess prays for less noise. An altercation breaks out in the
antechamber. Two ladies exchange slaps on the face, and you thank madame
for a charming evening.
Public-domain text, read in full here on John Shaqi.
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