The Collected Works in Verse and Prose of William Butler Yeats, Vol. 1 (of 8): Poems Lyrical and NarrativeYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 1 (of 8): Poems Lyrical and Narrative
Yeats, W. B. (William Butler)
English literature -- Irish authors
All over Ireland there are prophecies of the coming rout of the enemies
of Ireland, in a certain Valley of the Black Pig, and these prophecies
are, no doubt, now, as they were in the Fenian days, a political force.
I have heard of one man who would not give any money to the Land
League, because the Battle could not be until the close of the century;
but, as a rule, periods of trouble bring prophecies of its near coming.
A few years before my time, an old man who lived at Lisadill, in Sligo,
used to fall down in a fit and rave out descriptions of the Battle;
and a man in Sligo has told me that it will be so great a battle that
the horses shall go up to their fetlocks in blood, and that their
girths, when it is over, will rot from their bellies for lack of a hand
to unbuckle them. If one reads Professor Rhys’ “Celtic Heathendom”
by the light of Professor Frazer’s “Golden Bough,” and puts together
what one finds there about the boar that killed Diarmuid, and other
old Celtic boars and sows, one sees that the battle is mythological,
and that the Pig it is named from must be a type of cold and winter
doing battle with the summer, or of death battling with life. For the
purposes of poetry, at any rate, I think it a symbol of the darkness
that will destroy the world. The country people say there is no shape
for a spirit to take so dangerous as the shape of a pig; and a Galway
blacksmith—and blacksmiths are thought to be specially protected—says
he would be afraid to meet a pig on the road at night; and another
Galway man tells this story: ‘There was a man coming the road from Gort
to Garryland one night, and he had a drop taken; and before him, on
the road, he saw a pig walking; and having a drop in, he gave a shout,
and made a kick at it, and bid it get out of that. And by the time he
got home, his arm was swelled from the shoulder to be as big as a bag,
and he couldn’t use his hand with the pain of it. And his wife brought
him, after a few days, to a woman that used to do cures at Rahasane.
And on the road all she could do would hardly keep him from lying down
to sleep on the grass. And when they got to the woman she knew all that
happened; “and,” says she, “it’s well for you that your wife didn’t let
you fall asleep on the grass, for if you had done that but even for one
instant, you’d be a lost man.”’
Professor Rhys, who considers the bristleless boar a symbol of darkness
and cold, rather than of winter and cold, thinks it was without
bristles because the darkness is shorn away by the sun.
The Battle should, I believe, be compared with three other battles; a
battle the Sidhe are said to fight when a person is being taken away
by them; a battle they are said to fight in November for the harvest;
the great battle the Tuatha De Danaan fought, according to the Gaelic
chroniclers, with the Fomor at Moy Tura, or the Towery Plain.
Public-domain text, read in full here on John Shaqi.
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