The Collected Works in Verse and Prose of William Butler Yeats, Vol. 3 (of 8): The Countess Cathleen. The Land of Heart's Desire. The Unicorn from the StarsYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 3 (of 8): The Countess Cathleen. The Land of Heart's Desire. The Unicorn from the Stars
Yeats, W. B. (William Butler)
English literature -- Irish authors
Oh the Lion shall lose his strength,
And the bracket thistle pine ...
And the harp shall sound sweet, sweet at length
Between the eight and nine.
THE HOUR-GLASS.
_TRADITIONAL ARAN AIR._
I was going the road one day ...
O! the brown and the yellow beer,
And I met with a man that was no right man, ...
Oh my dear, my dear.
CATHLEEN NI HOULIHAN.
FLORENCE FARR.
I.
I will go cry with the woman,
For yellow-haired Donough is dead,
With a hempen rope for a neck-cloth,
And a white cloth on his head.
II.
Do not make a great keening
When the graves have been dug tomorrow.
III.
They shall be remembered forever
[repeat 3 times]
The people shall hear them forever.
MUSIC FOR LYRICS.
Three of the following settings are by Miss Farr, and she accompanies
the words upon her psaltery for the most part. She has a beautiful
speaking-voice, and, an almost rarer thing, a perfect ear for verse;
and nothing but the attempting of it will show how far these things
can be taught or developed where they exist but a little. I believe
that they should be a part of the teaching of all children, for the
beauty of the speaking-voice is more important to our lives than that
of the singing, and the rhythm of words comes more into the structure
of our daily being than any abstract pattern of notes. The relation
between formal music and speech will yet become the subject of science,
not less than the occasion of artistic discovery; for I am certain
that all poets, even all delighted readers of poetry, speak certain
kinds of poetry to distinct and simple tunes, though the speakers may
be, perhaps generally are, deaf to ordinary music, even what we call
tone-deaf. I suggest that we will discover in this relation a very
early stage in the development of music, with its own great beauty, and
that those who love lyric poetry but cannot tell one tune from another
repeat a state of mind which created music and yet was incapable of the
emotional abstraction which delights in patterns of sound separated
from words. To it the music was an unconscious creation, the words a
conscious, for no beginnings are in the intellect, and no living thing
remembers its own birth.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account