The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic MovementYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic Movement
Yeats, W. B. (William Butler)
English literature -- Irish authors
The Gaelic League has its great dramatic opportunity because of the
abundance of stories known in Irish-speaking districts, and because
of the freedom of choice and of treatment the leaders of a popular
movement can have if they have a mind for it. The Gaelic plays acted
and published during the year selected their subjects from the
popular mind, but the treatment is disappointing. Dr. Hyde, dragged
from gathering to gathering by the necessities of the movement, has
written no new play; and Father Peter O’Leary has thrown his dramatic
power, which is remarkable, into an imaginative novel. Father Dineen
has published a little play that has some life-like dialogue, but
the action is sometimes irrelevant, and the motives of the principal
character are vague and confused, as if it were written in a hurry.
Father Dineen seems to know that he has not done his best, for he
describes it as an attempt to provide more vivid dialogue for beginners
than is to be found in the reading-books rather than a drama. An
anonymous writer has written a play called _The Money of the Narrow
Cross_, which tells a very simple tale, like that of a child’s book,
simply and adequately. It is very slight, in low relief as it were, but
if its writer is a young man it has considerable promise.
A Play called _Seaghan na Scuab_ was described in the _United Irishman_
as the best play ever written in Irish; but though the subject of it is
a dramatic old folk-tale, which has shown its vigour by rooting itself
in many countries, the treatment is confused and conventional and there
is a flatness of dialogue unusual in these plays. There is, however,
an occasional sense of comic situation which may come to something if
its writer will work seriously at his craft. One is afraid of quenching
the smoking flax, but this play was selected for performance at the
_Oireachtas_ before a vast audience in the Rotunda. It was accompanied
by _The Doctor_ in English and Irish, written by Mr. O’Beirne, and
performed by the Tawin players, who brought it from their seaside
village in Galway. Mr. O’Beirne deserves the greatest praise for
getting this company together, as well as for all he has done to give
the Tawin people a new pleasure in their language; but I think a day
will come when he will not be grateful to the _Oireachtas_ Committee
for bringing this first crude work of his into the midst of so many
thousand people. It would be very hard for a much more experienced
dramatist to make anything out of the ugly violence, the threadbare,
second-hand imaginations that flow in upon one out of the newspapers,
when one has founded one’s work on proselytizing zeal, instead of one’s
experience of life and one’s curiosity about it. These two were the
only plays, out of a number that have been played in Irish, that I have
seen this year. I went to Galway Feis, like many others, to see Dr.
Hyde’s _Lost Saint_, for I had missed every performance of it hitherto
Public-domain text, read in full here on John Shaqi.
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