The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic MovementYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8): The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic Movement
Yeats, W. B. (William Butler)
English literature -- Irish authors
But if literature has no external test, how are we to know that it is
indeed literature? The only test that nature gives, to show when we
obey her, is that she gives us happiness, and when we are no longer
obedient she brings us to pain sooner or later. Is it not the same
with the artist? The sign that she makes to him is that happiness we
call delight in beauty. He can only convey this in its highest form
after he has purified his mind with the great writers of the world; but
their example can never be more than a preparation. If his art does
not seem, when it comes, to be the creation of a new personality, in
a few years it will not seem to be alive at all. If he is a dramatist
his characters must have a like newness. If they could have existed
before his days, or have been imagined before his day, we may be
certain that the spirit of life is not in them in its fulness. This
is because art, in its highest moments, is not a deliberate creation,
but the creation of intense feeling, of pure life; and every feeling
is the child of all past ages and would be different if even a moment
had been left out. Indeed, is it not that delight in beauty, which
tells the artist that he has imagined what may never die, itself but a
delight in the permanent yet ever-changing form of life, in her very
limbs and lineaments? When life has given it, has she given anything
but herself? Has she any other reward, even for the saints? If one
flies to the wilderness, is not that clear light that falls about the
soul when all irrelevant things have been taken away, but life that has
been about one always, enjoyed in all its fulness at length? It is as
though she had put her arms about one, crying: ‘My beloved, you have
given up everything for me.’ If a man spend all his days in good works
till there is no emotion in his heart that is not full of virtue, is
not the reward he prays for eternal life? The artist, too, has prayers
and a cloister, and if he do not turn away from temporary things, from
the zeal of the reformer and the passion of revolution, that zealous
mistress will give him but a scornful glance.
Public-domain text, read in full here on John Shaqi.
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