The Collected Works in Verse and Prose of William Butler Yeats, Vol. 5 (of 8): The Celtic Twilight and Stories of Red HanrahanYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 5 (of 8): The Celtic Twilight and Stories of Red Hanrahan
Yeats, W. B. (William Butler)
English literature -- Irish authors
ONE fine May morning a long time after Hanrahan had left Margaret
Rooney’s house, he was walking the road near Collooney, and the sound
of the birds singing in the bushes that were white with blossom set
him singing as he went. It was to his own little place he was going,
that was no more than a cabin, but that pleased him well. For he was
tired of so many years of wandering from shelter to shelter at all
times of the year, and although he was seldom refused a welcome and a
share of what was in the house, it seemed to him sometimes that his
mind was getting stiff like his joints, and it was not so easy to him
as it used to be to make fun and sport through the night, and to set
all the boys laughing with his pleasant talk, and to coax the women
with his songs. And a while ago, he had turned into a cabin that some
poor man had left to go harvesting and had never come to again. And
when he had mended the thatch and made a bed in the corner with a few
sacks and bushes, and had swept out the floor, he was well content to
have a little place for himself, where he could go in and out as he
liked, and put his head in his hands through the length of an evening
if the fret was on him, and loneliness after the old times. One by one
the neighbours began to send their children in to get some learning
from him, and with what they brought, a few eggs or an oaten cake or a
couple of sods of turf, he made out a way of living. And if he went for
a wild day and night now and again to the Burrough, no one would say a
word, knowing him to be a poet, with wandering in his heart.
It was from the Burrough he was coming that May morning, light-hearted
enough, and singing some new song that had come to him. But it was not
long till a hare ran across his path, and made away into the fields,
through the loose stones of the wall. And he knew it was no good sign a
hare to have crossed his path, and he remembered the hare that had led
him away to Slieve Echtge the time Mary Lavelle was waiting for him,
and how he had never known content for any length of time since then.
‘And it is likely enough they are putting some bad thing before me
now,’ he said.
And after he said that, he heard the sound of crying in the field
beside him, and he looked over the wall. And there he saw a young girl
sitting under a bush of white hawthorn, and crying as if her heart
would break. Her face was hidden in her hands, but her soft hair and
her white neck and the young look of her, put him in mind of Bridget
Purcell and Margaret Gillane and Maeve Connelan and Oona Curry and
Celia Driscoll, and the rest of the girls he had made songs for and had
coaxed the heart from with his flattering tongue.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account