The Collected Works in Verse and Prose of William Butler Yeats, Vol. 5 (of 8): The Celtic Twilight and Stories of Red HanrahanYeats, W. B. (William Butler)
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The Collected Works in Verse and Prose of William Butler Yeats, Vol. 5 (of 8): The Celtic Twilight and Stories of Red Hanrahan
Yeats, W. B. (William Butler)
English literature -- Irish authors
His neighbours were not certain that he really saw anything in his old
age, but they were all certain that he saw things when he was a young
man. His brother said, ‘Old he is, and it’s all in his brain the things
he sees. If he was a young man we might believe in him.’ But he was
improvident, and never got on with his brothers. A neighbour said, ‘The
poor man, they say they are mostly in his head now, but sure he was a
fine fresh man twenty years ago the night he saw them linked in two
lots, like young slips of girls walking together. It was the night they
took away Fallon’s little girl.’ And she told how Fallon’s little girl
had met a woman ‘with red hair that was as bright as silver,’ who took
her away. Another neighbour, who was herself ‘clouted over the ear’ by
one of them for going into a fort where they were, said, ‘I believe
it’s mostly in his head they are; and when he stood in the door last
night I said, “The wind does be always in my ears, and the sound of it
never stops,” to make him think it was the same with him; but he says,
“I hear them singing and making music all the time, and one of them
is after bringing out a little flute, and it’s on it he’s playing to
them.” And this I know, that when he pulled down the chimney where he
said the piper used to be sitting and playing, he lifted up stones,
and he an old man, that I could not have lifted when I was young and
strong.’
A friend has sent me from Ulster an account of one who was on terms
of true friendship with the people of faery. It has been taken down
accurately, for my friend, who had heard the old woman’s story some
time before I heard of it, got her to tell it over again, and wrote
it out at once. She began by telling the old woman that she did not
like being in the house alone because of the ghosts and faeries;
and the old woman said, ‘There’s nothing to be frightened about in
faeries, miss. Many’s the time I talked to a woman myself that was
a faery, or something of the sort, and no less and more than mortal
anyhow. She used to come about your grandfather’s house—your mother’s
grandfather, that is—in my young days. But you’ll have heard all about
her.’ My friend said that she had heard about her, but a long time
before, and she wanted to hear about her again; and the old woman went
on, ‘Well, dear, the very first time ever I heard word of her coming
about was when your uncle—that is, your mother’s uncle—Joseph married,
and building a house for his wife, for he brought her first to his
father’s, up at the house by the Lough. My father and us were living
nigh hand to where the new house was to be built, to overlook the men
at their work. My father was a weaver, and brought his looms and all
there into a cottage that was close by. The foundations were marked
out, and the building stones lying about, but the masons had not come
yet; and one day I was standing with my mother fornent the house, when
we sees a smart wee woman coming up the field over the burn to us. I
Public-domain text, read in full here on John Shaqi.
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