The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and DhoyaYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and Dhoya
Yeats, W. B. (William Butler)
English literature -- Irish authors
Yes; he felt now quite contented with the world. Amidst his enjoyment
of the shadows and the river--a veritable festival of silence--was
mixed pleasantly the knowledge that, as he leant there with the light
of a neighbouring gas-jet flickering faintly on his refined form and
nervous face and glancing from the little medal of some Anglican order
that hung upon his watch-guard, he must have seemed--if there had been
any to witness--a being of a different kind to the inhabitants--at once
rough and conventional--of this half-deserted town. Between these two
feelings the unworldly and the worldly tossed a leaping wave of perfect
enjoyment. How pleasantly conscious of his own identity it made him
when he thought how he and not those whose birthright it was, felt most
the beauty of these shadows and this river! For him who had read much,
seen operas and plays, known religious experiences, and written verse
to a waterfall in Switzerland, and not for those who dwelt upon its
borders for their whole lives, did this river raise a tumult of images
and wonders. What meaning it had for them he could not imagine. Some
meaning surely it must have!
As he gazed out into the darkness, spinning a web of thoughts from
himself to the river, from the river to himself, he saw, with a corner
of his eye, a spot of red light moving in the air at the other end of
the bridge. He turned towards it. It came closer and closer, there
appearing behind it the while a man and a cigar. The man carried in one
hand a mass of fishing-line covered with hooks, and in the other a tin
porringer full of bait.
‘Good evening, Howard.’
‘Good evening,’ answered the guest, taking his elbows off the parapet
and looking in a preoccupied way at the man with the hooks. It was only
gradually he remembered that he was in Ballah among the barbarians, for
his mind had strayed from the last evening flies, making circles on
the water beneath, to the devil’s song against ‘the little spirits’ in
_Mefistofele_. Looking down at the stone parapet he considered a moment
and then burst out--
‘Sherman, how do you stand this place--you who have thoughts above mere
eating and sleeping and are not always grinding at the stubble mill?
Here everybody lives in the eighteenth century--the squalid century.
Well, I am going to-morrow, you know. Thank Heaven, I am done with your
grey streets and grey minds! The curate must come home, sick or well.
I have a religious essay to write, and besides I should die. Think of
that old fellow at the corner there, our most important parishioner.
There are no more hairs on his head than thoughts in his skull. To
merely look at him is to rob life of its dignity. Then there is nothing
in the shops but school-books and Sunday-school prizes. Excellent, no
doubt, for anyone who has not had to read as many as I have. Such a
choir! such rain!’
Public-domain text, read in full here on John Shaqi.
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