The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and DhoyaYeats, W. B. (William Butler)
General
The Collected Works in Verse and Prose of William Butler Yeats, Vol. 7 (of 8): The Secret Rose. Rosa Alchemica. The Tables of the Law. The Adoration of the Magi. John Sherman and Dhoya
Yeats, W. B. (William Butler)
English literature -- Irish authors
They parted; Sherman to set his lines and Howard to his hotel in high
spirits, for it seemed to him he had been eloquent. The billiard-room,
which opened on the street, was lighted up. A few young men came round
to play sometimes. He went in, for among these provincial youths he
felt distinguished; besides, he was a really good player. As he came
in one of the players missed and swore. Howard reproved him with a
look. He joined the play for a time, and then catching sight through a
distant door of the hotel-keeper’s wife putting a kettle on the hob he
hurried off, and, drawing a chair to the fire, began one of those long
gossips about everybody’s affairs peculiar to the cloth.
As Sherman, having set his lines, returned home, he passed a
tobacconist’s--a sweet-shop and tobacconist’s in one--the only shop
in town, except public-houses, that remained open. The tobacconist
was standing in his door, and, recognizing one who dealt consistently
with a rival at the other end of the town, muttered: ‘There goes that
Jack o’ Dreams; been fishing most likely. Ugh!’ Sherman paused for a
moment as he repassed the bridge and looked at the water, on which now
a new-risen and crescent moon was shining dimly. How full of memories
it was to him! what playmates and boyish adventures did it not bring to
mind! To him it seemed to say, ‘Stay near to me,’ as to Howard it had
said, ‘Go yonder, to those other joys and other sceneries I have told
you of.’ It bade him who loved stay still and dream, and gave flying
feet to him who imagined.
II
The house where Sherman and his mother lived was one of those bare
houses so common in country towns. Their dashed fronts mounting above
empty pavements have a kind of dignity in their utilitarianism. They
seem to say, ‘Fashion has not made us, nor ever do its caprices pass
our sand-cleaned doorsteps.’ On every basement window is the same dingy
wire blind; on every door the same brass knocker. Custom everywhere!
‘So much the longer,’ the blinds seem to say, ‘have eyes glanced
through us’; and the knockers to murmur, ‘And fingers lifted us.’
Public-domain text, read in full here on John Shaqi.
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