"In solitude--at night--by the light of a candle. There are certain emotions which a writer can easily enough excite--such as compassion or merriment. I can move you to tears or laughter under almost any circumstances. But for my ghost story to be effective you must be made to feel fear--at least a strong sense of the supernatural--and that is a difficult matter. I have a right to expect that if you read me at all you will give me a chance; that you will make yourself accessible to the emotion that I try to inspire." The car had now arrived at its terminus and stopped. The trip just completed was its first for the day and the conversation of the two early passengers had not been interrupted. The streets were yet silent and desolate; the house tops were just touched by the rising sun. As they stepped from the car and walked away together Marsh narrowly eyed his companion, who was reported, like most men of uncommon literary ability, to be addicted to various destructive vices. That is the revenge which dull minds take upon bright ones in resentment of their superiority. Mr. Colston was known as a man of genius. There are honest souls who believe that genius is a mode of excess. It was known that Colston did not drink liquor, but many said that he ate opium. Something in his appearance that morning--a certain wildness of the eyes, an unusual pallor, a thickness and rapidity of speech--were taken by Mr. Marsh to confirm the report. Nevertheless, he had not the self-denial to abandon a subject which he found interesting, however it might excite his friend. "Do you mean to say," he began, "that if I take the trouble to observe your directions--place myself in the conditions that you demand: solitude, night and a tallow candle--you can with your ghostly work give me an uncomfortable sense of the supernatural, as you call it? Can you accelerate my pulse, make me start at sudden noises, send a nervous chill along my spine and cause my hair to rise?" Colston turned suddenly and looked him squarely in the eyes as they walked. "You would not dare--you have not the courage," he said. He emphasized the words with a contemptuous gesture. "You are brave enough to read me in a street car, but--in a deserted house--alone--in the forest--at night! Bah! I have a manuscript in my pocket that would kill you." Marsh was angry. He knew himself courageous, and the words stung him. "If you know such a place," he said, "take me there to-night and leave me your story and a candle. Call for me when I've had time enough to read it and I'll tell you the entire plot and--kick you out of the place." That is how it occurred that the farmer's boy, looking in at an unglazed window of the Breede house, saw a man sitting in the light of a candle. THE DAY AFTER