The Collected Works of Ambrose Bierce, Volume 02: In the Midst of Life: Tales of Soldiers and CiviliansBierce, Ambrose
History
The Collected Works of Ambrose Bierce, Volume 02: In the Midst of Life: Tales of Soldiers and Civilians
Bierce, Ambrose
Horror tales, American; Paranormal fiction; United States -- History -- Civil War, 1861-1865 -- Fiction; War stories, American
The sun was low and red in the west; the level rays projected from the
trunk of each giant pine a wall of shadow traversing the golden haze to
eastward until light and shade were blended in undistinguishable blue.
Private Grayrock rose to his feet, looked cautiously about him,
shouldered his rifle and set off toward camp. He had gone perhaps a
half-mile, and was passing a thicket of laurel, when a bird rose from
the midst of it and perching on the branch of a tree above, poured from
its joyous breast so inexhaustible floods of song as but one of all
God's creatures can utter in His praise. There was little in that--it
was only to open the bill and breathe; yet the man stopped as if struck
--stopped and let fall his rifle, looked upward at the bird, covered his
eyes with his hands and wept like a child! For the moment he was,
indeed, a child, in spirit and in memory, dwelling again by the great
river, over-against the Enchanted Land! Then with an effort of the will
he pulled himself together, picked up his weapon and audibly damning
himself for an idiot strode on. Passing an opening that reached into the
heart of the little thicket he looked in, and there, supine upon the
earth, its arms all abroad, its gray uniform stained with a single spot
of blood upon the breast, its white face turned sharply upward and
backward, lay the image of himself!--the body of John Grayrock, dead of
a gunshot wound, and still warm! He had found his man.
As the unfortunate soldier knelt beside that masterwork of civil war the
shrilling bird upon the bough overhead stilled her song and, flushed
with sunset's crimson glory, glided silently away through the solemn
spaces of the wood. At roll-call that evening in the Federal camp the
name William Grayrock brought no response, nor ever again there-after.
CIVILIANS
THE MAN OUT OF THE NOSE
At the intersection of two certain streets in that part of San Francisco
known by the rather loosely applied name of North Beach, is a vacant
lot, which is rather more nearly level than is usually the case with
lots, vacant or otherwise, in that region. Immediately at the back of
it, to the south, however, the ground slopes steeply upward, the
acclivity broken by three terraces cut into the soft rock. It is a place
for goats and poor persons, several families of each class having
occupied it jointly and amicably "from the foundation of the city." One
of the humble habitations of the lowest terrace is noticeable for its
rude resemblance to the human face, or rather to such a simulacrum of it
as a boy might cut out of a hollowed pumpkin, meaning no offense to his
race. The eyes are two circular windows, the nose is a door, the mouth
an aperture caused by removal of a board below. There are no doorsteps.
As a face, this house is too large; as a dwelling, too small. The blank,
unmeaning stare of its lidless and browless eyes is uncanny.
Public-domain text, read in full here on John Shaqi.
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