The Collected Works of Ambrose Bierce, Volume 10: The OpinionatorBierce, Ambrose
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The Collected Works of Ambrose Bierce, Volume 10: The Opinionator
Bierce, Ambrose
American essays; American literature
So said Edgar Fawcett, an author of no small note and consequence in
his day. The one-greatest-things-in-all-literature are as plentiful
and obvious, apparently, as the sole causes of the decline of the
Roman power, yet new ones being continually discovered, it is a fair
presumption that the supply is inexhaustible; and Fawcett, an ingenious
man, could hardly have failed to find one and catalogue it. The one
that he would discover was pretty sure to be as good as another and to
abound in his own work—and Fawcett did not write short stories, but
exceedingly long ones. So “the intercommunion of human characters,”
and so forth, stands. Nevertheless, one fairly great thing in all
literature is the power to interest the reader. Perhaps the author
having the other thing can afford to forego that one, but its presence
is observable, somehow, in much of the work that is devoid of that
polyonymous element noted by Messrs. Fawcett, Thomas, Richard and
Henry. Having that fact in mind, and the added fact that in his own
admirable sonnets (for example) the intercommunion is an absent factor,
I am disposed to think that Edgar was facetious.
The short story, quoth’a, “is not a high form of art”; and inferably
the long story—the novel—is. Let us see about that. As all the arts
are essentially one, addressing the same sensibilities, quickening the
same emotions and subject to the same law and limitations of human
attention, it may be helpful to consider some of the arts other than
literary and see what we can educe from the comparison. It will be
admitted, I hope, that even in its exterior aspect St. Peter’s Church
is a work of high art. But is Rome a work of high art? Was it ever,
or could it by rebuilding be made such? Certainly not, and the reason
is that it can not all take attention at once. We may know that the
several parts are coördinated and interrelated, but we do not discern
and feel the coördination and interrelation. An opera, or an oratorio,
that can be heard at a sitting may be artistic, but if in the manner
of a Chinese play it were extended through the evenings of a week or a
month what would it be? The only way to get unity of impression from a
novel is to shut it up and look at the covers.
Public-domain text, read in full here on John Shaqi.
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