Illustrations of these theories and principles he interpreted with tireless insistence as proofs that the art of fiction is to-day a finer art than that known to our benighted fathers. What did Scott, what did even Thackeray know of the subtle psychology of the dear old New England maidens? I want to be fair: Mr. Howells has considerable abilities. He is insufferable only in fiction and when, in criticism, he is making fiction’s laws with one eye upon his paper and the other upon a catalogue of his own novels. When not carrying that heavy load, himself, he has a manly enough mental stride. He is not upon very intimate terms with the English language, but on many subjects, and when you least expect it of him, he thinks with such precision as momentarily to subdue a disobedient vocabulary and keep out the wrong word. Now and then he catches an accidental glimpse of his subject in a side-light and tells with capital vivacity what it is not. The one thing that he never sees is the question that he has raised by inadvertence, deciding it by implication against his convictions. If Mr. Howells had never written fiction his criticism of novels would entertain, but the imagination which can conceive him as writing a good story under any circumstances would be a precious literary possession, enabling its owner to write a better one. In point of fiction, all the magazines are as like as one vacuum to another, and every month they are the same as they were the month before, excepting that in their holiday numbers at the last of the year their vacuity is a trifle intensified by that essence of all dulness, the “Christmas story.” To so infamous a stupidity has popular fiction fallen—to so low a taste is it addressed, that I verily believe it is read by those who write it!