It is easy to imagine what they say: “This is too much”; “it insults the reader’s intelligence”; “it is hardly more shocking for its atrocity than disgusting for its cold-blooded and unnatural defiance of probability”; “art should have some traceable relation to the facts of human experience.” Well, that is exactly what occurred once in the stoke-hold of a tug lying at a wharf in San Francisco. _Only_ the man had not been disappointed in love, nor disappointed at all. He was a cheerful sort of person, indubitably sane, ceremoniously civil and considerate enough (evidence of a good heart) to spare whom it might concern any written explanation defining his deed as “a rash act.” Probability? Nothing is so improbable as what is true. It is the unexpected that occurs; but that is not saying enough; it is also the unlikely—one might almost say the impossible. John, for example, meets and marries Jane. John was born in Bombay of poor but detestable parents; Jane, the daughter of a gorgeous hidalgo, on a ship bound from Vladivostok to Buenos Ayres. Will some gentleman who has written a realistic novel in which something so nearly out of the common as a wedding was permitted to occur have the goodness to figure out what, at their birth, were the chances that John would meet and marry Jane? Not one in a thousand—not one in a million—not one in a million million! Considered from a view-point a little anterior in time, it was almost infinitely unlikely that any event which has occurred would occur—any event worth telling in a story. Everything being so unearthly improbable, I wonder that novelists of the Howells school have the audacity to relate anything at all. And right heartily do I wish they had not. Fiction has nothing to say to probability; the capable writer gives it not a moment’s attention, except to make what is related _seem_ probable in the reading—_seem_ true. Suppose he relates the impossible; what then? Why, he has but passed over the line into the realm of romance, the kingdom of Scott, Defoe, Hawthorne, Beckford and the authors of the _Arabian Nights_—the land of the poets, the home of all that is good and lasting in the literature of the imagination. Do these little fellows, the so-called realists, ever think of the goodly company which they deny themselves by confining themselves to their clumsy feet and pursuing their stupid noses through the barren hitherland, while just beyond the Delectable Mountains lies in light the Valley of Dreams, with its tall immortals, poppy-crowned? Why, the society of the historians alone would be a distinction and a glory! 1897. WHO ARE GREAT? The question having been asked whether Abraham Lincoln was the greatest man this country ever produced, a contemporary writer signifies his own view of the matter thus: “Abraham Lincoln was a great man, but I am inclined to believe that history will reckon George Washington a greater.”