The Collected Works of Ambrose Bierce, Volume 11: AntepenultimataBierce, Ambrose
General
The Collected Works of Ambrose Bierce, Volume 11: Antepenultimata
Bierce, Ambrose
American essays; American literature
Man is the hither end of an immeasurable line extending back to the
ultimate Adam—or, as we scientists prefer to name him, Protoplasmos.
Man travels, not the mental road that he would, but the one that he
must—is pushed this way and that by the resultant of all the forces
behind him; for each member of the ancestral line, though dead, yet
pusheth. In one of what Dr. Holmes calls his “medicated novels,” _The
Guardian Angel_, this truth is most admirably and lucidly set forth
with abundant instance and copious exposition. Upon another work of
his—in which he erroneously affirms the influence of circumstance and
environment—let us lay a charitable hand and fling it into the fire.
Clearly all a man’s ancestors have not equal power in shaping his
character. Conceiving them, according to our figure, as arranged in
line behind him and influential in the ratio of their individuality,
we shall get the best notion of their method by supposing them to have
taken their places in an order somewhat independent of chronology
and a little different from their arrangement behind his brother.
Immediately at his back, with a controlling hand (a trifle skinny)
upon him, may stand his great-grandmother, while his father may be many
removes arear. Or the place of power may be held by some fine old Asian
gentleman who flourished before the confusion of tongues on the plain
of Shinar; or by some cave-dweller who polished the bone of life in
Bythynia and was perhaps a respectable and honest troglodyte.
Sometimes a whole platoon of ancestors appears to have been moved
backward or forward _en bloc_, not, we may be sure, capriciously, but
in obedience to some law that we do not understand. I know a man to
whose character not an ancestor since the seventeenth century appears
to have contributed an element. Intellectually he is a contemporary of
John Dryden, whom naturally he reveres as the greatest of poets. There
was another who inherited his handwriting from his great-grandfather,
although trained to “the Spencerian system” that he tried vainly to
acquire. Furthermore, his handwriting followed the same order of
progressive development as that of his great-grandfather. At the age
of twenty he wrote exactly as that ancestor did at the same age, and,
although at forty-five his chirography was nothing like what it was
even ten years before, it was accurately like his great-grandfather’s
at forty-five. Discovery of some old letters showed him how his
great-grandfather wrote, and accounted for the dissimilarity of his own
handwriting to that of any known member of his family, or his teachers.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account