The Collected Works of Ambrose Bierce, Volume 11: AntepenultimataBierce, Ambrose
General
The Collected Works of Ambrose Bierce, Volume 11: Antepenultimata
Bierce, Ambrose
American essays; American literature
How charming!—it affects the sensibilities like the ripple of a rill
of buttermilk falling into a pig-trough. “Ist,” by the way, means (to
an idiot) “just”—it is not easy to say why. Here followeth the other
inspiring passage:
One time
Elsie start to say the rhyme
“Thing a thong o’ thixpenth”—whee!
I ist yell; an’ ma say I’m
Unpolite as I can be.
If this is not poetry, what kind of an abysmal imbecility has it the
characteristic distinction to be? Mr. Riley turns off this stuff by
the linear mile, it is received with enthusiasm and reviewed with
acclamation by nearly every “literary critic” in America, and the
peasants whose taste they share and ignorance reflect are generous
enough to give him a living. Think not, observer from another land,
whose eye may chance to note these lines, that all these “dialect
poets” wear smocks and toil in the fields; it is the peculiar glory
of this great country that its peasants wear as good clothing, pursue
as high vocations and talk as glibly about art and literature as
anybody. Say not in your lack of light that the American gentleman has
boorish taste; say, rather, that the American boor has visible signs
of the prosperity of a gentleman, and to an alien eye is not readily
distinguishable from his betters.
III
To put a good thought, a tender sentiment, a passionate emotion into
faulty words is to defile it. Does a precious stone acquire an added
value from a setting of brass? Is a rare and excellent wine better when
drunk out of a gourd?
In Herman Scheffauer’s first book, _Of Both Worlds_, are two little
poems of such naturalness, simplicity and beauty that I hardly know
of anything better in their kind. My purpose in quoting them here is,
partly, to bring them to the attention of those who may be unfamiliar
with Mr. Scheffauer’s work, but chiefly to suggest to the “dialect
poets” that they undertake to give them an added charm by rewriting
them in their own manner.
THE SLEEPERS
The winds lie hushed in the hill
And the waves upon the seas;
The birds are mute and still,
Deep in their dreaming trees;
The earth lies dumb in night,
And the stars in their degrees
Sleep with the suns in space,
With angels, with seraphs bright,
In the light of God His face.
Softly lie the heads
Of the sleepers in their beds;
But the sleepers in the ground—
They alone sleep sweet and sound,
They alone know rest profound.
Fear not—soon a rest as deep
Comes to thee—thou, too, shalt sleep.
MISERERE
The last few prayers are done,
The pall and shroud are spread;
Seven tapers at thy feet
And seven at thy head.
Thy hands are crossed upon
Thy bosom white where now
Thy heart is stilled. O Death,
How beautiful art thou!
CRIME AND ITS CORRECTIVES
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