The Collected Works of Ambrose Bierce, Volume 12: In MotleyBierce, Ambrose
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The Collected Works of Ambrose Bierce, Volume 12: In Motley
Bierce, Ambrose
American literature
She did not immediately reply. A curtain at an open window moved
audibly. A sunbeam crept through the lattice of the piazza outside and
fell upon the window-ledge. The fly previously mentioned now walked
indolently along the top of the Japanese screen, then fearlessly
descended the face of it to within an inch of the mouth of a painted
frog. D’Anchovi, with a lifting of his eyebrows, maintained a
determined silence.
“I should think that an uncomfortable creed,” Mrs. Rorqual said at
last, withdrawing the tip of her shoe, which had been visible beneath
the edge of her gown, and shifting her gaze from St. Denis to one of
the crystal ornaments of the candelabrum pendent from the ceiling.
He passed the fingers of his right hand through his hair, slightly
shifted his position on his chair and said: “Mrs. Rorqual, I have to
thank you for a most agreeable hour. Shall I see you on the golf-links
to-morrow?”
So they parted, but when he was gone she toyed thoughtfully with
a spray of heliotrope growing in a jardinière and then ran her
forefinger along a part of the pattern of the wallpaper.
_From “A Study in Dissection.”_
Captain Gerard introspected. He spread his heart, as it were, upon the
dissecting-table of conscience and examined it from several points of
view. It is a familiar act—we call it analysis of motive. When he had
concluded he knew why he had accepted the invitation of the countess
to dinner. He knew why he had insulted the count. Equally obvious were
his reasons for mentioning to Iphigeneia the holy bonds of matrimony.
In all his conduct since his last introspection but one act baffled
him: why, alas, had he spoken to Iphigeneia of the bar-semester in his
crest?
As he pondered this inexplicable problem a footfall fell upon his ear
and he shuddered as if the hand of death had stepped in.
It was the countess!
_From “Her Diplodocus.”_
“Sir!” Miss Athylton drew herself up to her full height and looked her
interlocutor squarely in the visage. For an instant he returned her
scrutiny; then his eyes fell to the earth, stammering apologies. With a
sweeping curtsey she passed out of the room, hand over hand.
_From “L’Affaire Smith.”_
As they sat there wrapping their arms about each other, she advanced
the belief that they had loved in a former state of existence.
“But not as now, Irene, surely not as now.”
She was well content to let him feel so about it, and did not seek
to alter the character of his emotion. To have done so would have
cut her to the heart. On the contrary, a little bird perched in the
passion-vine above them and sang several thrilling passages.
_From “Clarisse.”_
He gazed into her beautiful eyes for a considerable period, during
which he did not converse; then he said, with an effort to be
sociable: “It has been represented to me that you are a lady of great
wealth. May I inquire if I have been rightly informed?”
Public-domain text, read in full here on John Shaqi.
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