The collected works of Henrik Ibsen, Vol. 01 (of 11)Ibsen, Henrik
General
The collected works of Henrik Ibsen, Vol. 01 (of 11)
Ibsen, Henrik
Ibsen, Henrik, 1828-1906 -- Translations into English; Norwegian drama -- Translations into English
THE FEAST AT SOLHOUG
PLAY IN THREE ACTS
ACT FIRST
_A stately room, with doors in the back and to both sides.
In front, on the right, a bay window with small round
panes, set in lead, and near the window a table, on
which is a quantity of feminine ornaments. Along the
left wall, a longer table with silver goblets, beakers
and drinking-horns. The door in the back leads out to a
passage-way,[24] through which can be seen a spacious
fiord-landscape._
BENGT GAUTESON, MARGIT, KNUT GESLING _and_ ERIK OF HEGGË
_are seated around the table on the left. In the
background are_ KNUT’S _followers, some seated, some
standing; one or two flagons of ale are handed round
among them. Far off are heard church bells, ringing to
Mass._
ERIK.
[_Rising at the table._] In one word, now, what answer have
you to make to my wooing on Knut Gesling’s behalf?
BENGT.
[_Glancing uneasily towards his wife._] Well, I—to me it
seems—[_As she remains silent._] H’m, Margit, let us first
hear your thought in the matter.
MARGIT.
[_Rising._] Sir Knut Gesling, I have long known all that
Erik of Heggë has told of you. I know full well that you
come of a lordly house; you are rich in gold and gear, and
you stand in high favour with our royal master.
BENGT.
[_To_ KNUT.] In high favour—so say I too.
MARGIT.
And doubtless my sister could choose her no doughtier mate—
BENGT.
None doughtier; that is what _I_ say too.
MARGIT.
—if so be that you can win her to think kindly of you.
BENGT.
[_Anxiously, and half aside._] Nay—nay, my dear wife—
KNUT.
[_Springing up._] Stands it so, Dame Margit! You think that
your sister—
BENGT.
[_Seeking to calm him._] Nay, nay, Knut Gesling! Have
patience, now. You must understand us aright.
MARGIT.
There is naught in my words to wound you. My sister knows
you only by the songs that are made about you—and these
songs sound but ill in gentle ears.
Public-domain text, read in full here on John Shaqi.
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