The collected works of Henrik Ibsen, Vol. 07 (of 11)Ibsen, Henrik
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The collected works of Henrik Ibsen, Vol. 07 (of 11)
Ibsen, Henrik
Ibsen, Henrik, 1828-1906 -- Translations into English; Norwegian drama -- Translations into English
HELMER.
But _I_ will believe. Tell me! We must so change that——?
NORA.
That communion between us shall be a marriage. Good-bye.
[_She goes out by the hall door._
HELMER.
[_Sinks into a chair by the door with his face in his hands._] Nora!
Nora! [_He looks round and rises._] Empty. She is gone. [_A hope springs
up in him._] Ah! The miracle of miracles——?!
[_From below is heard the reverberation of a heavy door
closing._
THE END
GHOSTS
(1881)
CHARACTERS.
MRS. HELEN ALVING, _widow of Captain Alving, late Chamberlain[10]
to the King_.
OSWALD ALVING, _her son, a painter._
PASTOR MANDERS.
JACOB ENGSTRAND, _a carpenter_.
REGINA ENGSTRAND, _Mrs. Alving’s maid_.
_The action takes place at Mrs. Alving’s country
house, beside one of the large fjords in
Western Norway._
-----
Footnote 10:
Chamberlain (Kammerherre) is the only title of honour now existing in
Norway. It is a distinction conferred by the King on men of wealth and
position, and is not hereditary.
GHOSTS:
A FAMILY-DRAMA IN THREE ACTS.
ACT FIRST.
_A spacious garden-room, with one door to the left, and two doors to the
right. In the middle of the room a round table, with chairs about
it. On the table lie books, periodicals, and newspapers. In the
foreground to the left a window, and by it a small sofa, with a
work-table in front of it. In the background, the room is
continued into a somewhat narrower conservatory, the walls of
which are formed by large panes of glass. In the right-hand wall
of the conservatory is a door leading down into the garden.
Through the glass wall a gloomy fjord-landscape is faintly
visible, veiled by steady rain._
_ENGSTRAND, the carpenter, stands by the garden door. His left leg is
somewhat bent; he has a clump of wood under the sole of his boot.
REGINA, with an empty garden syringe in her hand, hinders him from
advancing._
REGINA.
[_In a low voice._] What do you want? Stop where you are. You’re
positively dripping.
ENGSTRAND.
It’s the Lord’s own rain, my girl.
REGINA.
It’s the devil’s rain, _I_ say.
ENGSTRAND.
Lord, how you talk, Regina. [_Limps a step or two forward into the
room._] It’s just this as I wanted to say——
REGINA.
Don’t clatter so with that foot of yours, I tell you! The young master’s
asleep upstairs.
Public-domain text, read in full here on John Shaqi.
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