The collected works of Henrik Ibsen, Vol. 08 (of 11)Ibsen, Henrik
General
The collected works of Henrik Ibsen, Vol. 08 (of 11)
Ibsen, Henrik
Ibsen, Henrik, 1828-1906 -- Translations into English; Norwegian drama -- Translations into English
These two will not make a mess of life, Mr. Relling. Of course I won’t
speak of Hialmar—him we know. But she, too, in her innermost heart, has
certainly something loyal and sincere——
GINA.
[_Almost crying._] You might have let me alone for what I was, then.
RELLING.
[_To GREGERS._] Is it rude to ask what you really want in this house?
GREGERS.
To lay the foundations of a true marriage.
RELLING.
So you don’t think Ekdal’s marriage is good enough as it is?
GREGERS.
No doubt it is as good a marriage as most others, worse luck. But a
_true_ marriage it has yet to become.
HIALMAR.
You have never had eyes for the claims of the ideal, Relling.
RELLING.
Rubbish, my boy!—But excuse me, Mr. Werle: how many—in round numbers—how
many true marriages have you seen in the course of your life?
GREGERS.
Scarcely a single one.
RELLING.
Nor I either.
GREGERS.
But I have seen innumerable marriages of the opposite kind. And it has
been my fate to see at close quarters what ruin such a marriage can work
in two human souls.
HIALMAR.
A man’s whole moral basis may give away beneath his feet; _that_ is the
terrible part of it.
RELLING.
Well, I can’t say I've ever been exactly married, so I don’t pretend to
speak with authority. But this I know, that the _child_ enters into the
marriage problem. And you must leave the child in peace.
HIALMAR.
Oh—Hedvig! my poor Hedvig!
RELLING.
Yes, you must be good enough to keep Hedvig outside of all this. You two
are grown-up people; you are free, in God’s name, to make what mess and
muddle you please of your life. But you must deal cautiously with
Hedvig, I tell you; else you may do her a great injury.
HIALMAR.
An injury!
RELLING.
Yes, or she may do herself an injury—and perhaps others too.
GINA.
How can you know that, Relling?
HIALMAR.
Her sight is in no immediate danger, is it?
RELLING.
I am not talking about her sight. Hedvig is at a critical age. She may
be getting all sorts of mischief into her head.
GINA.
That’s true—I've noticed it already! She’s taken to carrying on with the
fire, out in the kitchen. She calls it playing at house-on-fire. I'm
often scared for fear she really sets fire to the house.
RELLING.
You see; I thought as much.
GREGERS.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account