The collected works of William Hazlitt, Vol. 01 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 01 (of 12)
Hazlitt, William
English essays -- 19th century
is, John was always a surly, meddlesome, obstinate fellow, and of late
years his _head_ has not been quite right! In short, John is a great
blockhead and a great bully, and requires (what he has been long
labouring for) a hundred years of slavery to bring him to his senses. He
will have it that he is a great patriot, for he hates all other
countries; that he is wise, for he thinks all other people fools; that
he is honest, for he calls all other people whores and rogues. If being
in an ill-humour all one’s life is the perfection of human nature, then
John is very near it. He beats his wife, quarrels with his neighbours,
damns his servants, and gets drunk to kill the time and keep up his
spirits, and firmly believes himself the only unexceptionable,
accomplished, moral, and religious character in Christendom. He boasts
of the excellence of the laws, and the goodness of his own disposition;
and yet there are more people hanged in England than in all Europe
besides: he boasts of the modesty of his countrywomen, and yet there are
more prostitutes in the streets of London than in all the capitals of
Europe put together. He piques himself on his comforts, because he is
the most uncomfortable of mortals; and because he has no enjoyment in
society, seeks it, as he says, at his fireside, where he may be stupid
as a matter of course, sullen as a matter of right, and as ridiculous as
he chuses without being laughed at. His liberty is the effect of his
self-will; his religion owing to the spleen; his temper to the climate.
He is an industrious animal, because he has no taste for amusement, and
had rather work six days in the week than be idle one. His awkward
attempts at gaiety are the jest of other nations. ‘They,’ (the English),
says Froissard, speaking of the meeting of the Black Prince and the
French King, ‘amused themselves sadly, according to the custom of their
country,’—_se rejouissoient tristement, selon la coutume de leur pays_.
Their patience of labour is confined to what is repugnant and
disagreeable in itself, to the drudgery of the mechanic arts, and does
not extend to the fine arts; that is, they are indifferent to pain, but
insensible to pleasure. They will stand in a trench, or march up to a
breach, but they cannot bear to dwell long on an agreeable object. They
can no more submit to regularity in art than to decency in behaviour.
Their pictures are as coarse and slovenly as their address. John boasts
of his great men, without much right to do so; not that he has not had
them, but because he neither knows nor cares anything about them but to
swagger over other nations. That which chiefly hits John’s fancy in
Shakspeare is that he was a deer-stealer in his youth; and, as for
Newton’s discoveries, he hardly knows to this day that the earth is
round. John’s oaths, which are quite characteristic, have got him the
nickname of _Monsieur God-damn-me_. They are profane, a Frenchman’s
indecent. One swears by his vices, the other by their punishment.
Public-domain text, read in full here on John Shaqi.
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