The collected works of William Hazlitt, Vol. 01 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 01 (of 12)
Hazlitt, William
English essays -- 19th century
‘The multitude of persons and things that force themselves on the
attention in such a scene, and the rapidity with which they succeed each
other, and pass away, prevent any one from making a deep or permanent
impression; and the mind, having never been tasked to any course of
application, and long habituated to this lively succession and variety
of objects, comes at last to require the excitement of perpetual change,
and to find a multiplicity of friends as indispensable as a multiplicity
of amusements. Thus the characteristics of large and polished society
come almost inevitably to be, wit and heartlessness—acuteness and
perpetual derision. The same impatience of uniformity, and passion for
variety, which give so much grace to their conversation, by excluding
all tediousness and pertinacious wrangling, make them incapable of
dwelling for many minutes on the feelings and concerns of any one
individual; while the constant pursuit of little gratifications, and the
weak dread of all uneasy sensations, render them equally averse from
serious sympathy and deep thought.
‘The whole style and tone of this publication affords the most striking
illustration of these general remarks. From one end of it to the other,
it is a display of the most complete heartlessness, and the most
uninterrupted levity. It chronicles the deaths of half the author’s
acquaintance, and makes jests upon them all; and is much more serious in
discussing the merits of an opera-dancer, than in considering the
evidence for the being of a God, or the first foundations of morality.
Nothing, indeed, can be more just or conclusive than the remark that is
forced from M. Grimm himself, upon the utter carelessness, and instant
oblivion, that followed the death of one of the most distinguished,
active, and amiable members of his coterie: “Tant il est vrai que ce que
nous appelons _la société_, est ce qu’il y a de plus léger, plus ingrat,
et de plus frivole au monde!”’
These remarks, though shrewd and sensible in themselves, apply rather to
the character of M. Grimm and his friends as men of the world, after
their initiation into the refined society of Paris and the great world,
than as mere men of letters. There is, however, a character which every
man of letters has before he comes into society, and which he carries
into the world with him, which we shall here attempt to describe.
Public-domain text, read in full here on John Shaqi.
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