balancing one half of the sentence uniformly and systematically against the other. The Hebrew poetry was constructed in the same manner. W. NO. 20.] ON IMITATION [FEB. 18, 1816. Objects in themselves disagreeable or indifferent, often please in the imitation. A brick-floor, a pewter-plate, an ugly cur barking, a Dutch boor smoking or playing at skittles, the inside of a shambles, a fishmonger’s or a greengrocer’s stall, have been made very interesting as pictures by the fidelity, skill, and spirit, with which they have been copied. One source of the pleasure thus received is undoubtedly the surprise or feeling of admiration, occasioned by the unexpected coincidence between the imitation and the object. The deception, however, not only pleases at first sight, or from mere novelty; but it continues to please upon farther acquaintance, and in proportion to the insight we acquire into the distinctions of nature and of art. By far the most numerous class of connoisseurs are the admirers of pictures of _still life_, which have nothing but the elaborateness of the execution to recommend them. One chief reason, it should seem then, why imitation pleases, is, because, by exciting curiosity, and inviting a comparison between the object and the representation, it opens a new field of inquiry, and leads the attention to a variety of details and distinctions not perceived before. This latter source of the pleasure derived from imitation has never been properly insisted on.