The collected works of William Hazlitt, Vol. 01 (of 12)Hazlitt, William
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The collected works of William Hazlitt, Vol. 01 (of 12)
Hazlitt, William
English essays -- 19th century
blades of spear-grass will appear like tall forest trees, shooting up
into the sky; as an insect seen through a microscope is magnified into
an elephant. Art is the microscope of the mind, which sharpens the wit
as the other does the sight; and converts every object into a little
universe in itself.[50] Art may be said to draw aside the veil from
nature. To those who are perfectly unskilled in the practice, unimbued
with the principles of art, most objects present only a confused mass.
The pursuit of art is liable to be carried to a contrary excess, as
where it produces a rage for the _picturesque_. You cannot go a step
with a person of this class, but he stops you to point out some choice
bit of landscape, or fancied improvement, and teazes you almost to death
with the frequency and insignificance of his discoveries!
It is a common opinion, (which may be worth noticing here), that the
study of physiognomy has a tendency to make people satirical, and the
knowledge of art to make them fastidious in their taste. Knowledge may,
indeed, afford a handle to ill-nature; but it takes away the principal
temptation to its exercise, by supplying the mind with better resources
against _ennui_. Idiots are always mischievous; and the most superficial
persons are the most disposed to find fault, because they understand the
fewest things. The English are more apt than any other nation to treat
foreigners with contempt, because they seldom see anything but their own
dress and manners; and it is only in petty provincial towns that you
meet with persons who pride themselves on being satirical. In every
country place in England there are one or two persons of this
description who keep the whole neighbourhood in terror. It is not to be
denied that the study of the _ideal_ in art, if separated from the study
of nature, may have the effect above stated, of producing
dissatisfaction and contempt for everything but itself, as all
affectation must; but to the genuine artist, truth, nature, beauty, are
almost different names for the same thing.
Public-domain text, read in full here on John Shaqi.
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