The collected works of William Hazlitt, Vol. 02 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 02 (of 12)
Hazlitt, William
English essays -- 19th century
The success of this opera was not certainly equal to its merits, which
are considerable. It seems to have given rise to a succession of plays
of the same kind, the scene of which is laid in the ages of chivalry,
and which represent the costume, characters, and manners of remote
times. Such particularly have been the Battle of Hexham, The
Mountaineers, The Venetian Outlaw, etc. This opera is in fact a romance
dramatised.—A young peasant joins some outlaws, who are no other than
the famous archers, Adam Bell, Clym of the Clough, and Will Cloudesley;
and soon after, has an opportunity together with them, to defeat a band
of Danes, who were proceeding to attack the castle of Earl Walter, which
lies in the neighbourhood of Sherwood. The cause of this quarrel is,
that Anlaff the Dane had demanded Edwitha, the daughter of Earl Walter,
in marriage, and had been refused. On this he determines to enforce his
claim, and in the battle which ensues, Earl Walter’s men under his son
Harold are nearly vanquished, when they are unexpectedly joined by the
outlaws and Leonard, the noble peasant, who slays Alric, the brother of
the Danish chief. This youth who in addition to his warlike
achievements, is represented with all the grace and amiableness of an
Arcadian swain, is the first who by chance communicates the news of the
victory to Edwitha, and her cousin Adela, who had wandered to a little
distance from the castle. Edwitha is immediately smitten with the manly
appearance, and modest demeanour of Leonard, the peasant, and is rallied
a good deal on the subject, by her witty and merciless cousin, who puts
the reader somewhat in mind of the character of Beatrice. Adam Bell, and
his renowned compeers, in consequence of their service in the battle,
conceive a plan for being reconciled to Earl Walter; and for this
purpose, Adam Bell goes to the castle in the disguise of a Friar, to
watch for some favourable opportunity of obtaining a pardon. Harold and
his followers return, and one of these, Earl Egbert, a ridiculous,
cowardly braggart, pretends to have slain Anlaff, whose sword and armour
he has carried in a pompous manner before him by his Dwarf. This story
is contradicted by the pretended friar, who says that he had shrieved a
young peasant an hour before, who confessed that he had slain the Danish
warrior. However, on the strength of the boasted service he had done,
Earl Egbert lays claim to Earl Walter’s daughter; and his pretensions
are admitted by the father, in opposition to the most earnest
remonstrances of the young lady. The valiant Earl accordingly remains at
the castle, to court his froward mistress, while Harold, with his chosen
friends, sets out to hunt for a few days on Cheviot Hills. The Danes
hearing of his absence, and in revenge for the death of Alric, once more
attack the castle, through which the greatest terror prevails, and
particularly in the breast of Egbert; when Adam Bell takes the
Public-domain text, read in full here on John Shaqi.
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