The collected works of William Hazlitt, Vol. 02 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 02 (of 12)
Hazlitt, William
English essays -- 19th century
Julio, the heir of the lord of Harancour, who is born deaf and dumb, is
left an orphan, when he is only eight years old; and the helplessness of
his situation suggesting the possibility of getting rid of him, he is
taken from Thoulouse to Paris by his guardian and maternal uncle,
assisted by a servant in the family, and there lost in the streets at
night. Dupre, the accomplice of his uncle Darlemont, swears to his
death; and at their return home, Darlemont is invested with the estates
and honours of the house of Harancour. Meantime, poor Julio is found in
the streets of Paris in a coarse dress, which does not denote him to be
any thing but a beggar; and it being discovered that he is deaf and
dumb, he is taken to the asylum of the Abbe de l’Epée for children who
are born with this defect. The melancholy observed in his countenance
and manner, the delicacy of his complexion, and other circumstances,
soon lead to a suspicion that he is the child of rich parents, and has
been purposely lost by some person who wished to usurp his rights. He is
taught the use of artificial signs, and learns to read and write. One
day being with De l’Epée, when a judge is passing by dressed in his full
robes, Julio is violently agitated, and makes signs to his instructor,
that his father used to be dressed in this manner. Another time, passing
through the Barriere d’Enfer, the recollection suddenly struck him that
this was the very gate through which he entered Paris. This produced a
conviction in the mind of L’Epée that he came from some city in the
south of France, of which in all likelihood his father had been chief
magistrate. Yet how to proceed in his behalf? The youth had never heard
his father’s name, he did not know his family, or the place of his
birth. After some ineffectual researches, De l’Epée resolves at last to
take his pupil with him, and traverse in person and on foot the whole of
the south of France. They embrace each other, invoke the protection of
heaven, and set forward. After a journey, long, fatiguing, hopeless,
they at length arrive at the gates of Thoulouse. Julio knows the place,
seizes his benefactor’s hand, and uttering wild cries of joy, leads him
quickly, here and there, through various quarters of the city. At last
they come to the square in which the palace of Harancour stood; he
stops, points to the mansion, shrieks, and falls senseless into the arms
of L’Epée. This is the foundation of the story, the rest may be easily
divined by the reader.—The Vindictive Man was the last, and certainly
not the best of Mr Holcroft’s dramatic productions. It was condemned at
Drury-lane. From the state of his circumstances at the time, this
failure was felt as a severe blow, by the author. With what feelings he
bore it, may be learned from a short, but beautiful dedication of the
play to Miss Holcroft.
‘TO MY DAUGHTER FANNY.
Public-domain text, read in full here on John Shaqi.
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