The collected works of William Hazlitt, Vol. 02 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 02 (of 12)
Hazlitt, William
English essays -- 19th century
and that to an English reader, I have done the book a service, and no
injury. A person of your genius, Madam, need not appeal to the
approbation of journalists (I speak generally); however, if that were
any consolation, I can likewise plead their support on this very
subject, as you will see if you will please to read the Critical Review
for February last; but I would rather have given you satisfaction,
Madam, than fifty Reviewers. You may well imagine, Madam, I acted for
the good of the work, according to the best of my judgment, but I will
by no means presume that judgment infallible.—Permit me, Madam, to
relate a short story.—A certain young nobleman was remarkable for the
elegance of his dress, the symmetry of his person, and the refinement of
his manners. The old ladies admired him, the young ladies loved him, and
even the handsomest among the men envied him. He was the chief inventor
of modes, the leader of fashions, and the arbiter of taste and tailors:
above all, he was remarkable for a fine head of hair. Proud of his
power, and conscious of his abilities, his ambition was insatiable. One
day, while waiting for his hair-dresser, he happened by some odd
accident to be turning over the leaves of a folio, in which he saw
engravings of Eastern habits—he burst into a laugh.—What strange
figures, cried he! how little do they understand of grace and elegance!
were I among them, I would soon teach them better. Full of this idea,
and urged by a thirst of still superior fame, he determined to take a
voyage to China, in order to begin by humanizing and converting that
vast empire to the principles of good taste. Arrived at Pekin, and being
a master of his art, his first endeavour was to gain the suffrages of
the fair sex: to effect this, he assailed, and hoped to captivate the
daughter of a Mandarine, acknowledged to be the greatest beauty in all
Pekin, and, as her admirers daily swore, in all the world. Much depended
on a first impression, and this he knew: he therefore pared his nails
and powdered his hair, and some add (perhaps maliciously) painted his
cheeks. Full of the remembrance of former celebrity, and elate with the
consciousness of present perfection, he walked up to the glass, admired
the image it reflected, and with the step of ease and self-approbation,
called for his palanquin and proceeded on his visit. Thus prepossessed,
I need not describe his surprise and chagrin, when instead of meeting
the approbation he thought so certain, he heard the beauteous Chinese,
though struck with his fine form (for proportion must ever please) find
fault with that European art—that taste, which he had held so
irresistible: the smart short cut of his clothes suffered a thousand
ridiculous comparisons; and his frizzed and powdered hair, so bushy and
so full, afforded endless laughter. A circumstantial detail is needless.
The European, when he beheld the Chinese in their own country, and in
Public-domain text, read in full here on John Shaqi.
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