The collected works of William Hazlitt, Vol. 02 (of 12)Hazlitt, William
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The collected works of William Hazlitt, Vol. 02 (of 12)
Hazlitt, William
English essays -- 19th century
it without offering him the least refreshment, or so much as testifying
either surprise or pity; and he left the house with tears in his eyes.
When the players understood that a fresh member was come to join them,
they, from sympathy, very soon discovered his situation; and were not a
little incensed at the story of the barber.
The company into which Mr Holcroft was now introduced was that of the
Kembles: the father of Mrs. Siddons was the manager. Mr H. continued
with this company some time; and in the course of their peregrinations
he visited Ludlow, Worcester, Leominster, Bewdly, Bromsgrove, and
Droitwitch; in all which places he acted inferior parts. One of the
actors in this company, of the name of Downing or Dunning, seems to have
made a pretty strong impression on Mr H.’s fancy, for he has left a very
particular description of him. This stage-hero had a large, red,
bottle-nose, with little intellect; but he was tall, looked passably
when made up for the stage, and had a tolerable voice, though
monotonous. To hide the redness of his nose, it was his custom to powder
it: but unluckily he drank brandy; the humour that flowed to his nose,
made it irritable, and in the course of a scene the powder was usually
rubbed off. His wife stood behind the scenes with the powder-puff ready,
and exclaimed when he came off—‘Lord! Curse it, George! how you rub your
poor nose! Come here, and let me powder it. Do you think Alexander the
Great had such a nose? I am sure Juliet would never have married Romeo
with such a bottle-nose. Upon my word, if your nose had been so red, and
large, when you ran away with me from the boarding-school, I should
never have stepped into the same chaise with you and your journeyman
captain, I assure you.’ George seldom made any reply to these harangues,
except ‘Pshaw, woman,’ or by beginning to repeat his part.
Public-domain text, read in full here on John Shaqi.
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