The collected works of William Hazlitt, Vol. 02 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 02 (of 12)
Hazlitt, William
English essays -- 19th century
‘MADAM, It is with a peculiar pleasure that I have, by Mr Sheridan’s
desire, an opportunity of addressing you. I am indebted to your
benevolence and interposition, for my first obtaining admission in the
theatre, and shall ever remember it with respect and gratitude. Give me
leave, Madam, to intrude upon your patience for a moment, while I
explain the motive of this address.—Mrs. Greville, Mrs. Crewe, and some
other ladies of fashion and consequence, have kindly undertaken to
patronize, and recommend the Shepherdess of the Alps. Mrs. Crewe has
spoken to Mr Sheridan concerning it, as he informed me last night,
desiring me at the same time, to send it to you, who he said would not
only read it yourself, but put him in mind of it. I believe myself
almost certain of your good wishes, when you read the beginning, and
recollect that your late dear and worthy brother pointed out the subject
to me, encouraged me to pursue it, and had not only undertaken to set
it, but had actually composed two songs. Pardon me, Madam, for
introducing so melancholy a reflection. His esteem for me, I might
almost say his friendship, shall never be forgotten, let my condition in
life hereafter be what it may; it does me too much honour. You likewise,
Madam, have some share in the work: it was in consequence of your advice
and observations, that the comic part was introduced: it was at first
intended only to affect the nobler passions, and to have been entirely
serious.—I would not willingly appear too urgent: yet cannot forbear
expressing some anxiety about the fate of my poor Shepherdess. I spent
all the summer about it, (certain as I thought then) of its coming out
immediately.—I am, Madam,’ etc.
The Maid of the Vale was a translation from the Italian comic opera of
La Buona Figliola, which Mr Arne, the son of Dr. Arne, employed him to
alter and adapt to the English stage.
A good deal of altercation seems to have taken place between the author
and musician respecting the division of the future profits of the piece;
Mr Holcroft claiming one half, to which his employer did not think him
by any means entitled. In consequence, I believe, of these
disagreements, the piece was not brought forward.
Public-domain text, read in full here on John Shaqi.
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