The collected works of William Hazlitt, Vol. 03 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 03 (of 12)
Hazlitt, William
English essays -- 19th century
well as others, and discards his own caprices if ever he suspects there
is the least ground for them. Doubt succeeds to doubt, cloud rolls over
cloud, one paradox is driven out by another still greater, in endless
succession. He is equally averse to the prejudices of the vulgar, the
paradoxes of the learned, or the habitual convictions of his own mind.
He moves in an unaccountable diagonal between truth and falsehood, sense
and nonsense, sophistry and common-place, and only assents to any
opinion when he knows that all the reasons are against it. A matter of
fact is abhorrent to his nature: the very _air_ of truth repels him. He
is only saved from the extremities of absurdity by combining them all in
his own person. Two things are indispensable to him—to set out from no
premises, and to arrive at no conclusion. The consciousness of a single
certainty would be an insupportable weight upon his mind. He slides out
of a logical deduction by the help of metaphysics: and if the labyrinths
of metaphysics did not afford him ‘ample scope and verge enough,’ he
would resort to necromancy and the cabbala. He only tolerates the
science of astronomy for the sake of its connection with the dreams of
judicial astrology, and escapes from the _Principia_ of Newton to the
jargon of Lily and Ashmole. All his notions are floating and unfixed,
like what is feigned of the first forms of things flying about in search
of bodies to attach themselves to; but _his_ ideas seek to avoid all
contact with solid substances. Innumerable evanescent thoughts dance
before him, and dazzle his sight, like insects in the evening sun. Truth
is to him a ceaseless round of contradictions: he lives in the belief of
a perpetual lie, and in affecting to think what he pretends to say. His
mind is in a constant estate of flux and reflux: he is like the
Sea-horse in the Ocean; he is the Man in the Moon, the Wandering
Jew.—The reason of all this is, that Mr. Coleridge has great powers of
thought and fancy, without will or sense. He is without a strong feeling
of the existence of any thing out of himself; and he has neither
purposes nor passions of his own to make him wish it to be. All that he
does or thinks is involuntary; even his perversity and self-will are so.
They are nothing but a necessity of yielding to the slightest motive.
Everlasting inconsequentiality marks all that he attempts. All his
impulses are loose, airy, devious, casual. The strongest of his purposes
is lighter than the gossamer, ‘that wantons in the idle summer-air’: the
brightest of his schemes a bubble blown by an infant’s breath, that
rises, glitters, bursts in the same instant:—
‘Or like the Borealis race,
That flit ere you can mark their place:
Or like the snow falls in the river,
A moment white, then gone for ever.’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account