The collected works of William Hazlitt, Vol. 03 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 03 (of 12)
Hazlitt, William
English essays -- 19th century
grand out of their own minds, and imagine all things to be, not what
they are, but what they ought to be. They are naturally inventors,
creators not of truth but beauty: and while they speak to us from the
sacred shrine of their own hearts, while they pour out the pure
treasures of thought to the world, they cannot be too much admired and
applauded: but when, forgetting their high calling, and becoming tools
and puppets in the hands of others, they would pass off the gewgaws of
corruption and love-tokens of self-interest, as the gifts of the Muse,
they cannot be too much despised and shunned. We do not like novels
founded on facts, nor do we like poets turned courtiers. Poets, it has
been said, succeed best in fiction: and they should for the most part
stick to it. Invention, not upon an imaginary subject, is a lie: the
varnishing over the vices or deformity of actual objects, is hypocrisy.
Players leave their finery at the stage-door, or they would be hooted:
poets come out into the world with all their bravery on, and yet they
would pass for _bonâ fide_ persons. They lend the colours of fancy to
whatever they see: whatever they touch becomes gold, though it were
lead. With them every Joan is a lady: and kings and queens are human.
Matters of fact they embellish at their will, and reason is the
plaything of their passions, their caprice, or interest. There is no
practice so base of which they will not become the panders: no sophistry
of which their understanding may not be made the voluntary dupe. Their
only object is to please their fancy. Their souls are effeminate, half
man and half woman: they want fortitude, and are without principle. If
things do not turn out according to their wishes, they will make their
wishes turn round to things. They can easily overlook whatever they do
not approve, and make an idol of any thing they please. The object of
poetry is to please: this art naturally gives pleasure, and excites
admiration. Poets, therefore, cannot do well without sympathy and
flattery. It is, accordingly, very much against the grain that they
remain long on the unpopular side of the question. They do not like to
be shut out when laurels are to be given away at court—or places under
government to be disposed of, in romantic situations in the country.
They are happy to be reconciled on the first opportunity to prince and
people, and to exchange their principles for a pension. They have not
always strength of mind to think for themselves; nor honesty enough to
bear the unjust stigma of the opinions they have taken upon trust from
others. Truth alone does not satisfy their pampered appetites, without
the sauce of praise. To prefer truth to all other things, it requires
that the mind should have been at some pains in finding it out, and that
it should feel a severe delight in the contemplation of truth, seen by
its own clear light, and not as it is reflected in the admiring eyes of
the world.
Public-domain text, read in full here on John Shaqi.
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