According to this theory of personal continuity, the author of the Dramatic Poem, to be here noticed, is the father of Parliamentary Reform in the Quarterly Review. It is said to be a wise child that knows its own father: and we understand Mr. Southey (who is in this case reputed father and son) utterly disclaims the hypostatical union between the Quarterly Reviewer and the Dramatic Poet, and means to enter an injunction against the latter, as a bastard and impostor. Appearances are somewhat staggering against the legitimacy of the descent, yet we perceive a strong family-likeness remaining, in spite of the lapse of years and alteration of circumstances. We should not, indeed, be able to predict that the author of _Wat Tyler_ would ever write the article on Parliamentary Reform; nor should we, either at first or second sight, perceive that the Quarterly Reviewer had ever written a poem like that which is before us: but if we were told that both performances were literally and _bonâ fide_ by the same person, we should have little hesitation in saying to Mr. Southey, ‘Thou art the man.’ We know no other person in whom ‘fierce extremes’ meet with such mutual self-complacency: whose opinions change so much without any change in the author’s mind; who lives so entirely in the ‘present ignorant thought,’ without the smallest ‘discourse of reason looking before or after.’ Mr. Southey is a man incapable of reasoning connectedly on any subject. He has not strength of mind to see the whole of any question; he has not modesty to suspend his judgment till he has examined the grounds of it. He can comprehend but one idea at a time, and that is always an extreme one; because he will neither listen to, nor tolerate any thing that can disturb or moderate the petulance of his self-opinion. _The woman that deliberates is lost._ So it is with the effeminate soul of Mr. Southey. Any concession is fatal to his consistency; and he can only keep out of one absurdity by the tenaciousness with which he stickles for another. He calls to the aid of his disjointed opinions a proportionate quantity of spleen; and regularly makes up for the weakness of his own _reasons_, by charging others with _bad motives_. The terms _knave and fool_, _wise and good_, have undergone a total change in the last twenty years: the former he applies to all those who agreed with him formerly—the latter to all those who agree with him now. His public spirit was then a prude and a scold; and ‘his poor virtue,’ turned into a literary prostitute, is grown more abusive than ever. Wat Tyler and the Quarterly Review are an illustration of these remarks. The author of Wat Tyler was an Ultra-jacobin; the author of Parliamentary Reform is an Ultra-royalist; the one was a frantic demagogue; the other is a servile court-tool: the one maintained second-hand paradoxes; the other repeats second-hand common-places: the one vented those opinions which gratified the vanity