The collected works of William Hazlitt, Vol. 03 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 03 (of 12)
Hazlitt, William
English essays -- 19th century
plain;—what was obscure, became profound;—what was extravagant, lofty;
every sentiment was liberality, every expression elegance: and from that
time to this, Burke has been the oracle of every dull venal pretender to
taste or wisdom. Those who had never heard of or despised him before,
now joined in his praise. He became a fashion; he passed into a proverb;
he was an idol in the eyes of his readers, as much as he could ever, in
the days of his youthful vanity, have been in his own; he was dazzled
with his own popularity; and all this was owing to the king. No wonder
he was delighted with the change, infatuated with it, infuriated! It was
better to him than four thousand pounds a-year for his own life, and
fifteen hundred a-year to his widow during the joint-lives of four other
persons. It was what all his life he had been aiming at.—‘Thou hast it
now, King, Cawdor, Glamis, all!’ It was what the nurses had prophecied
of him, and what the school-boy had dreamt; and that which is first, is
also last in our thoughts. It was this that tickled his vanity more than
his pension: it was this that raised his gratitude, that melted his
obdurate pride, that opened the sluices of his heart to the poison of
corruption, that exorcised the low, mechanic, vulgar, morose, sour
principles of liberty clean out of him, left his mind ‘swept and
garnished,’ parched and dry, fevered with revenge, bloated with
adulation; and made him as shameless and abandoned in sacrificing every
feeling of attachment or obligation to the people, as he had before been
bold and prodigal in heaping insult and contumely upon the throne. He
denounced his former principles, in the true spirit of an apostate, with
a fury equal to the petulant and dogmatical tone in which he had
asserted them; and then proceeded to abuse all those who doubted the
honesty or wisdom of this change of opinion. He, in short, looked upon
every man as his enemy who did not think ‘his book fit for a gentleman
to read’; and would willingly have committed every such presumptuous
sceptic to the flames for not bowing down in servile adoration before
this idol of his vanity and reputation. Hence the frantic philippics in
his latter revolutionary speeches and writings, and the alteration from
a severe and stately style of eloquence and reasoning in his earlier
compositions to the most laboured paradoxes and wildest declamation. We
do not mean to say that his latest works did not display the greatest
genius. His native talents blazed out, undisguised and unconfined in
them. _Indignatio facit versus._ Burke’s best Muse was his vanity or
spleen. He felt quite at home in giving vent to his personal spite and
venal malice. He pleaded his own cause and the cause of the passions
better and with more eloquence, than he ever pleaded the cause of truth
and justice. He felt the one rankling in his heart with all their heat
and fury; he only conceived the other with his understanding coldly and
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