The collected works of William Hazlitt, Vol. 03 (of 12)Hazlitt, William
General
The collected works of William Hazlitt, Vol. 03 (of 12)
Hazlitt, William
English essays -- 19th century
who have foisted their ‘idiot and embryo’ inventions upon us for truth,
and who have fomented all the bad passions of the heart, and let loose
all the mischiefs of war, of fire, and famine, to avenge the slightest
difference of opinion on any one iota of their lying creeds, or the
slightest disrespect to any one of those mummeries and idle pageants
which they had set up as sacred idols for the world to wonder at. We do
not forget, in making these remarks, that there was a time when the
persons who will be most annoyed and scandalized at them, would have
taken a more effectual mode of shewing their zeal and indignation; when
to have expressed a free opinion on a Monk’s cowl or a Cardinal’s hat,
would have exposed the writer who had been guilty of such sacrilege, to
the pains and penalties of excommunication; to be burnt at an _auto da
fe_; to be consigned to the dungeons of the Inquisition, or doomed to
the mines of Spanish America; to have his nose slit, or his ears cut
off, or his hand reduced to a stump. Such were the considerate and
humane proceedings by which the Priests of former times vindicated their
own honour, which they pretended to be the honour of God. Such was their
humility, when they had the power. Will they complain now, if we only
criticise the colour of a coat, or smile at the circumference of a
Doctor of Divinity’s wig, since we can do it with impunity? We cry them
mercy!
ON THE CLERICAL CHARACTER
——‘Now mark a spot or two,
Which so much virtue would do well to clear.’—COWPER
(CONTINUED.)
_Jan. 31, 1818._
Many people seem to think, that the restraints imposed on the Clergy by
the nature of their profession, take away from them, by degrees, all
temptations to violate the limits of duty, and that the character grows
to the cloth. We are afraid that this is not altogether the case.
Public-domain text, read in full here on John Shaqi.
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